Research On Revolutionary Model Drama Based On Structural Semiotics

As the release of The siege directed by Tsui hark,the Revolutionary Model Operas return to the public’s view once again.The Revolutionary Model Operas is the drama of the most awards in the Cultural Revolution,in that time, the streets are all in the audience.The criticism and lover dispute,the former are afraid of the political attribute,the latter seem as the classical.The Revolutionary Model Operas perform according to the class divisions between the social order.The look,make-up,manner,appearance,and the background,lamplight,property,all of them consist of a art world which is full of the metaphor.There are similarities in each play,but there is no exactly the same place absolutely.The author would like to try on the basis of previous studies,with a new generation of objective and dialectical academic perspective,to study the occurrence the symbols behind the structure.With the aid of Structuralism Semiotics of various methods,such as Transverse and Longitudinal axis analysis,Metaphor and Metonymy analysis,Structural Morphology analysis and so on.From the overall structure of the occurrence of symbols to comb, to explore the construction of meaning.