The Aesthetic Study Of Traditional Folk Art Shuanmazhuang Modelling Language

Folk thought and art of traditional folk Shuanma pile covering the folk wisdom and creation, through the first pile colorful decorations, revealing a and B in different times and culture. Therefore, this article from the stone Shuanma overall shaping technique for analysis, and then elaborates the comprehensive application of the sculpture, relief,line engraving and so on many kinds of techniques of characterization in the strong pillars in the beauty of form, giving a simple pile of stone rich cultural connotation, let posterity to ever found the story, to understand the original mission. Different techniques of characterization, shaping the different artistic feeling, this paper illustrates the shape of language to fully reflect the Chinese traditional sculpture techniques in practical application. The folk custom art, until now still plays a important role as a cornerstone,also residents of the traditional decorative arts an integral part of, but also to understand the traditional Chinese folk and traditional sculpture specimens. In culture, Shuanma pile the artistic and cultural formation also by Taoism, Confucian and Buddhist culture,the influence, the content from multiple sources in auspicious culture, homophonic culture and folk stories, which mainly on the spiritual level carrying residents master in specific time and space in pursuit of better life. In the face of today’s rapid social development, and today’s folk culture of fast food effect, flashy complex culture vulnerabilities emerge in an endless stream Works of art and sculpture sculpture modeling language in the traditional stone Shuanma pile of research, analysis of the traditional stone Shuanma pile of aesthetic value, should be based on a rigorous scientific attitude, the folk custom culture Shuanma pile as a kind of traditional cultural heritage research, art aesthetic values according to our country’s traditional stone Shuanma pile of data for the study of folk art, multi-level, multi-faceted, multi angle of the aesthetic value of the hitching post into the Chinese classical sculpture environment in longitudinal studies, the hitching post on behalf of the Chinese folk art with the western side of the corresponding horizontal comparison and find the difference. At the same time, pay attention to the subject Cross, from the folk culture of the residents ofthe building to the hitching post modeling aesthetic produced are discussed. In the modern landscape design and Chinese Art Deco home to play the culture, the essence of the traditional culture of the processing, to go into new form was better in our modern life.