The Context Of Visual Culture Research China Mad Comedy Movies Spectacle

China mad comedy film has a distinctive cultural personality and aesthetic temperament and interest, in the moment rather prosperous comedy movie creation through its wonders of present won the "was the best-selling" box office and word of mouth. This type of success for Chinese audience and the filmmakers saw another possibility of the development of the domestic films, and start thinking of Chinese comedy movie’s creation, prompting the creative enthusiasm can in the new century in movie fever quickly prosper. This article from the keywords of "mad comedy movies", in the context of visual culture, the spectacle of the new century China mad comedy movies, in defining the visual culture, mad comedy movies, movies wonders on the basis of the concept of the combination of new century China mad comedy movies wonders features, explore wonders of the existing problems in the present, the pursuit of wonders of the reasons behind the problems, to put forward the theories learnt the present development of Chinese mad comedy movies.This article is divided into five chapters. The first chapter, mainly discusses the current situation of the development of China’s mad comedy movies. General situation of the development of new century Chinese comedy movies to comb, by comparing the traditional comedy movies and Chinese comedy genre, around the senior team, audience, consumption idea, the three aspects of the background of contemporary China mad comedy movies made a specific interpretation.The second chapter mainly explores the characteristics of China comedy movie spectacle of madness. Specific performance for the goddess and the female man polarization, cock wire and decline male combined sexes image spectacle; humorous speech to black discourse, deconstruction and construction of the extreme rebellious role behavior, combined with in collage and parody the absurdity of the interpretation of the present group revelry behave odd view; mixture type across types of wonders; super IP of the four aspects of the wonders of the psychological shadow, comprehensive analysis and combined with the case be justified.The third chapter, mainly analyzes the Chinese mad comedy movies wonders the reasons behind the problem. From the era context, image ontology, profoundly analyzes the market environment of the three dimensions, is mainly for the creation of the youth, influenced by the demands of visual culture context youth subculture discourse, in the face of induced high box office too pursuit of market return, leading to lack of film art and commercialization degree deepening, image ontology is the expression of the spirit of the game to use Internet memes type low-grade sketch program to appear on the screen.The fourth chapter, mainly puts forward the Chinese mad comedy movies wonders of the existing problems. One is the creative content, homogeneous creation brings three common problems; Second, audience effect, blindly entertainment to death finally "fool" the masses. Three is the two problems of the link, the game spirit through and audience interaction, and the assumption in the game has the problem of lack of subject consciousness.The fifth chapter, mainly elaborated the mad comedy movies wonders of development strategy in China. To solve the existing problems, and the wonders should from the Angle of the audience, from the sensory stimulation to the humanistic care, movie art comes from life, return to film business comic aesthetics, after a reasonable optimized configuration of resources integration, and better achieve the madness in the comedy film business in China market value.