The Application Of Xinjiang Minority Nationality Costume In The Contemporary Meticulous Painting

To xinjiang ethnic costumes used in modern fine brushwork painting research,through the painting paintings, the system elaborated the xinjiang minority nationality dress design, decorative pattern, color, style, ingeniously the xinjiang minority nationality dress combined with modern traditional Chinese realistic painting paintings, and in the form of traditional Chinese realistic painting paintings show the xinjiang minority nationality culture, customs and habits, as well as the spiritual connotation refracted by national costumes. However, in traditional Chinese realistic painting paintings depicting the xinjiang ethnic costumes historically have been recorded, such as the tang dynasty has the position of gong figure, zhou-fang as barbarians gong figure, yuan dynasty Ren Bo wen "as gong figure", qiu ying of the Ming dynasty period as gong figure etc were dynasty picture ethnic envoys tribute to dynasty painting scene. Along with the development of The Times, especially since the reform and opening up, our country to the xinjiang ethnic costumes used in modern fine brushwork painting, on the elements of both on the techniques and materials have been presented on the diversified development trend, to fully demonstrate the xinjiang minority nationality dress in modern fine brushwork painting of locality and time.This thesis is divided into six subsystem in this paper, the xinjiang ethnic costumes used in modern fine brushwork painting, the first part of the introduction,including the theoretical basis, research review, research content, the innovation,mainly on why choose xinjiang ethnic costumes in the application of the contemporary claborate-style painting subjects, and described the main content and the main purpose of this thesis. The second part briefly overview minority costumes in the application of claborate-style painting, since the xinjiang ethnic costumes in the evolution of the traditional Chinese realistic painting painting characteristic and era background, on the one hand, from the minority clothing for use in ancient claborate-style painting, on the other hand, from the minority costumes in the application of the contemporary claborate-style painting in this paper, the artist has historic record era, the sense of responsibility. The third part of the contemporary xinjiang minority nationality dress material used in traditional Chinese realistic painting painting, this paper mainly discusses the use of contemporary painting paintings reflect the clothing in xinjiang, mainly kirgiz, Uighur, tajik, kazak, forexample, such as to wide sleeve over-the-knee length of kirgiz ethnic costumes,xinjiang uygur paddan, pattern of design and color floret cap, kazak owl feathers tower of gold thread and the cap, tajik female, tower caps, xinjiang ethnic love Ed fabric national costume. The fourth part of xinjiang ethnic costumes in contemporary painting expression in painting, in contrast to traditional Chinese realistic painting paintings manner, expound painters in xinjiang with the mainland painter performance of different picture. The fifth part of xinjiang ethnic costumes used in modern fine brushwork painting of change, of arts and crafts and traditional Chinese realistic painting painting on the use of difference, and through the way of traditional Chinese realistic painting painting show of xinjiang minority nationality clothing culture, customs and habits. The sixth part of xinjiang ethnic costumes used in modern fine brushwork painting was summarized, and the contemporary minority in xinjiang in the traditional Chinese realistic painting paintings depicting the costume,techniques and materials on innovation.