The Discussion Of The Imagery World In Liu Zhenyun's Fiction

Liu Zhen yun is one of the representative writers in Chinese contemporary literary world which called "new realism", his novels have been regarded as an absurd narrative of daily. In contemporary literary criticism, literary critics have focused more on the anatomy of the realistic meaning of the text itself rather than the language. In Liu Zhenyun's works, the image has enriched not only the language of the text itself, but also the construction, the artistic space and the aesthetic sublimation of the theme which has great value of research.This paper consists of the three aspects of image type: image in the novels of Liu Zhenyun, image construction and the meaning of the text expounds Liu Zhenyun's image in the novel world. In the first part, this paper will be apart the types of the text imagery into three parts: title imagery, object imagery and abstract imagery. The titles of LiuZhenyun's fictions has great imagery, they are usually the central imagery of the fictions. When LiuZhenyun sets up the titles, he deserts some abstract concept which are intangible and vague and chooses the direct daily idioms. He uses the daily idioms to dissolve the barriers of the text and the life so that the reality of the work can be put clear in the image of the titles. The object imagery is the most, complicated and broaddistributed image group. They made the aesthetic elements separate from the initial text image so that the aesthetic elements can be closer to the real world which LiuZhenyun wants to show to the readers. The most representative abstract imagery in LiuZhenyun's fictions is the conversation image. It is one of the innovation points of this paper. The construction and break of the relationship of the people in Yi Ju Ding Yi Wan Ju and Yi Qiang Fei Hua are generated and developed by the title image “talkable” and “untalkable”. The second part of this paper is the construction of the imagery art in LiuZhenyun's fictions. This paper departs the construction of the imagery art into three parts: imagery narrative, imagery characterization and imagery theme. Imagery narrative is the most obvious in LiuZhenyun's novel where the form and features of narrative are combined by the image. The portrait of the imagery people takes on a vivid show to the readers so that they can analyse the theme of the text. The characters determines the destiny, the destiny reveals the life status and the life status hints the theme of the text. The meaning of the text in LiuZhenyun's fictions is showed in the deconstruction of human relationship, the criticism of the slavishness and the alienation of the power. LiuZhenyun's fiction breaks the praise which are made by romantic writers. He writed in a realistic and indifferent way and leaded the readers sense the fickleness of the human nature. Meanwhile, LiuZhenyun criticized the under-class people in Chinese society and analysed the human nature deeply in China.