| China National Opera "Red Guards"(hereinafter referred to as the "Honghu flood") since its birth, singer from the hard exploration, to gradually mature, and then to the reform and innovation, has traversed a tortuous course of decades, actor on inherit traditional singing method of this nation, draw lessons from western singing method try singing two creation, forming a unique national own singing style. Liu Danli’s opera "Hong" third generation actor, she based on inheriting the predecessors of art experience, using their own opera art foundation, combined with western singing techniques, Han Ying the revolutionary hero image re interpretation. This paper mainly analyzes Liu Danli in the opera "Hong" in the style of singing, through to her personal artistic experience, singing, stage performances, and other aspects of the analysis, the causes of the formation of Liu Danli singing style of individual and social aspects, so as to help us learn her rich artistic performance experience at the same time, the growth of the singing art understanding rules, the development prospect of exploring China ethnic characteristics of opera singing style.This paper is divided into six chapters, the first chapter introduces the topic origin, research status, the purpose and significance of the topic. The second chapter is China National Opera "Hong" summary. The third chapter, through the national opera "Hong" story, Han Ying’s character, Han Ying, Aria music art three aspects, analysis of image in the opera "Hong" in the character created by Liu Danli. The fourth chapter introduces the influencing factors of the singing style of Liu Danli, Chu opera theater experience will in the future become provides support and help of a great opera actor. The fifth chapter, focuses on the analysis of Liu Danli in the opera "Hong" in singing, the use of modern national vocal music singing, and other opera of Liu Danli singing style and rhythm beauty to analyze, the aesthetic value of Liu Danli in the opera "Hong" in singing style of Liu Danli’s style of singing. The sixth chapter, summary. |