Study On Shi Tao S View Of Landscape Painting

Generations of painters through the observation of nature,perception of the life,follow the good tradition of the former painters on the basis with their observation of nature and unique understanding to their own feelings,self-cultivation and artistic aesthetic pursuit.Shi Tao is a in ancient tradition of landscape painting excellent traditions as well as on the basis of constantly seeking ink,Breakthrough Program of landscape painting everyone,"the ancients" always pay more attention to "imitate the nature" and ultimately achieve the "cardiac" so a painting practice process.In the practice of landscape painting in his painting,"imitating the nature" is source of Shi Tao's painting art creation,and pay attention to their own inner emotional expression is rich in the Chinese landscape painting and the formality of intrinsic motivation.Combined with the ancient idea in the landscape painting and traditional painting experience,through his observation of the natural mountains and trees,plus the in painting art aesthetic pursuit and pay attention to the expression of inner feelings,Shi Tao formed its own art esthetics.And the theory of painting and calligraphy works < balsam pear and painting language book > is embodiment of the aesthetics theory,the argument about "a painting","Meng Yang" and "life","the mountains and forest God met mark","search every Qifeng scratch"."Not the law but for to law" and "when the ink with the times" and so on of landscape painting and practice theory.These theories based on the theory of landscape painting for future generations of landscape painting in the direction of development has an important influence,the current landscape painting to learn the concept of Shi Tao's landscape painting is more respected.Shi Tao's "a painting","Meng Yang" and "life",such as painting idea and illustrates his painting depicted in the images without source in nature,full of its own for good fortune and the living state of perception and cognition.The inner aesthetic pursuit and emotion blend with the natural existence of the physical characteristics of the mountains and trees."The mountains and forest God met mark","search every Qifeng scratch","not the law but to the law" and in the mountains "for paths,trees,waves and four section is a concrete manifestation of Shi Tao's landscape painting practice and when the ink with the times is more forward direction guidance for the development of landscape painting and traditional Chinese painting,which is also consistent with the nowadays modern art rules.In this paper,we mainly focus on the concept of Shi Tao's landscape painting sketch and the sketch practice were analyzed,which combined with the state of development of the current landscape painting to look at some problems existing in the current development of landscape painting.The purpose is to as much as possible by of Shi Tao's works < bitter gourd monk quotations > analysis,clarify Shitao's landscape painting creation intention and creative mind,particularly important is the landscape painting idea in the direction of guiding significance to nowadays development of landscape painting and want to take to find a reference for the future study of landscape painting.In the first chapter I will introduce the origin of the topic,on Shi Tao's view of the sketch is derived from the author's own landscape painting learning practice in many questions.Secondly,the research statuses on the view of Shi Tao's landscape painting were elucidated with overall combing,the last important foothold is research and practical significance.The second chapter briefly from the Shi Tao bumpy life experience;Mogu in late Ming Dynasty and early Qing Dynasty wind prevailed in the social and cultural background of Shi Tao;and the inheritance of traditional landscape painting idea three aspects of Shi Tao's landscape painting idea forms the reason for the.Chapter three is divided into two parts,the first part of the paper,elucidated and discusses the basic conception of Shi Tao's landscape painting concept,based on Shi Tao's theory of painting and calligraphy works < bitter gourd monk quotations >,the related theory on the concept of landscape painting "a painting","Meng Yang" and "life" and "search all the strange peaks drafts" analysis combined with the current landscape painting.In the second part,through the mention of his paintings about landscape painting practice analysis,that is,through to "respect","mountains and rivers,paths,trees and waves.Chapter four is by Shi Tao's landscape painting works < search every Qifeng draft scroll >,< Huaiyang clean autumn > and < snow landscape map > the landscape painting of the concrete manifestation,such as Shi Tao's landscape paintings show images of the distinctive characteristics,and the landscape painting ink techniques form style varied.The fifth chapter based on the previous four chapters that conclusion and meaning,that is the significance of the current landscape painting.