On The Application Of Dominant And Subordinate In The Creation Of Narrative Dance

In recent years,due to the continuous improvement of national policy vigorously support and the level of people’s life and art appreciation appeal,the dancing art in China has been an unprecedented rapid development,and emerged a group and a group of representative of new era,transfer new breath,performance of new culture of dance works of Art.Among them,the narrative dance as a more likely to reflect people’s life,to convey people’s thought unique dance art form,is to become the focus of the much anticipated.However,problems such as other popular element,the creation of narrative dance works also appeared blindly follow the trend,in the dance contest this year showing a sense of form repetition rate,manifestations of a single situation,the narrative dance lost the original dance charm.Obviously,the related theories about narrative dance creation need to be developed urgently.This paper is to study the relevant research on the creation of narrative dance in the light of the above situation.The research content of this paper is the leading and subordinate the use of narrative dance creation,through the analysis of the existing,has formed the narrative dance works showing a dominant and subordinate related forms,understand the specific role played by the dominant and subordinate in narrative dance,which summed up the utilization principle in narrative dance creation,so that people can be better applied to the creation of narrative dance,and then form a virtuous circle,and promote the further development of narrative dance and the dance art.