The Exploration Of Stage Creation Of Mia?aragana Dance

Chinese folk dance has been developing with The Times and has experienced revolutionary literature and art period,performance art period and cultural industry period,with strong Chinese characteristics.The spirit of actively learning from folk art advocated by Speech at The Yan 'an Forum on Literature and Art in 1942 has been continued to this day,guiding the creation of folk dances.Under the guidance of the spirit of 19,we have been deeply rooted in people's lives and visited Danzhai County for many times to have a thorough understanding of the historical source of the golden pheasant dance,the natural and social cultural environment in which it exists,and the costumes of the golden pheasant dance,laying a foundation for the stage creation of the golden pheasant dance.This study using the literature material method,field survey method,interview method,case analysis,first of all,from the source and contents of the golden pheasant dance two aspects to the study of traditional dance golden pheasant,then to the graduation work "hometown of law" in the fourth part of the works "dream cloud.A" golden pheasant dance stage of analysis,the creation of content analysis is divided into stage,stage of five kinds of attributes,stage creating difficulties of analysis three parts for analysis.1.Under the guidance of the theory of "Dance ecology",this paper analyzes the social and cultural environment and natural environment of the caragana dance centered on the artificial activity,and then has a deep understanding of the caragana dance in Maliao Village,Danzhai County.2.In the stage creation of this golden pheasant dance,the two "ecological niches" of "folk" and "stage" are distinguished,instead of copying the folk golden pheasant dance onto the stage;3.The inheritance of folk tradition and the aesthetic appreciation of The Times;4.Within the aesthetic category of the ethnic group,the creation of the work does not excessively express the individualism of the creator,thus making the work divorced from the style of the ethnic group.It is hoped that the research in this paper can promote the stagecreation of ethnic folk dance and contribute to the protection of intangible cultural heritage dance.