Study Of Chu Wanghua's "Xinjiang Capriccio"

Chu Wanghua is a famous composer and pianist in modern China,In his writing career of almost a half century,he created a large number of Chinese style music,which are mainly piano works,and the style is more inclusive.And Chu Wanghua himself had profound artistic accomplishment,who had accomplished something in the field of painting,calligraphy,seal cutting,photography and writing.But Chu Wanghua has been fond for the Chinese folk music for a long time."My strength is play the piano,I pay more attention to Chinese folk music(folk songs,opera)learning," ChuWanghua,has described his love of Chinese folk music,it is this love directly contributed to the creation of Chu Wanghua Chinese style piano and stimulate the adaptation of Chinese folk music inspiration,resulting in the birth of Xu many classic works.The Xinjiang Capriccio "as in 1978,the piece is adapted to Zheng Qiufeng created the beautiful Peacock River",is a first large Xinjiang Style for piano solo.Chu Wanghua bold selected Capriccio the western works commonly used forms to show the Chinese style works,resulting in the creation can play full of imagination,giving work to maximize the inclusive,so that a more comprehensive to show the characteristics of Xinjiang music.Chinese style of language analysis,the study style of the Chu art career,Xinjiang music in general characteristics as the breakthrough point,with a piano solo "Xinjiang Capriccio" as the object of study,in the previous research results and the sum of the individual performance practice on the basis of works of musical structure,mode,tonality,rhythm,texture,harmony and musical language in the creation of Xinjiang style music elements of reference and application innovation of the Xinjiang music style and music features of the Xinjiang Capriccio ",to explore the Chu Wanghua as China feelings and his piano music made enormous contribution.This paper is divided into six parts.The introduction part,mainly discusses the research of "Xinjiang Capriccio" starting point,meaning and method.The first chapter from Chu Wanghua's family background,the different growth stage of the creation of Chu Wanghua's art career,to elucidate the influence complex family environment and social environment on the creation of Lester;the second chapter from the stylecharacteristics of Xinjiang music of the overall style overview of Xinjiang music up from each music style in yuan,in for a general summary of Xinjiang music style characteristics before the study of Chu Wanghua "Xinjiang Capriccio";the third chapter is the key part of this paper,from the aspects of the language of music "Xinjiang Capriccio" for research,Xinjiang music performance in the creation of the author to explore the linguistic features of music,from the creation background,musical form the structure,tonality,melody,harmony,rhythm and other aspects of the "Xinjiang Capriccio",further analysis of music On show of Xinjiang Style;the fourth chapter is analysis of the significance of historical development of the Xinjiang capriccio,affective meaning and the playing techniques for summarizing and analyzing,the conclusion part is in the first four chapters analyzed based on Chu Wanghua "Xinjiang Capriccio" creation of the value and significance of the research are summed up.