The Function Of "Jump Cut" In Film And Television Art

In this paper, taking "’jump cut’ in the film and television art features the theme of" research,In order to solve the following two problems for the purpose of:1.The function of "jump cut", the editing techniques in the film show.2.Embodiment of "jump cut" function in a variety of film and television works of art.In this paper, books, papers and other information did not have a detailed discussion of these two questions,even on the "jump cut editing techniques," the analysis from the perspective of the other results are also very little.This is the foundation of the innovation of this paper.In the first chapter, "’jump cut’, from the concept to the way" is main title.In the first section elaborated the origin of the concept of "jump cut" and summary and understanding of scholars on the "jump cut".Citing by Fu Zhengyi, Xu Nanming. The definition of "jump cut" concept.Analysis of the definition of problems and limitations, and clear the "jump cut", "no skills," clip "zero clip", the difference between,Zhou Xinxia established the definition of "jump cut" concept as the most accurate,and as the core.The Gestalt psychology in the system of "Gestalt tendency principle" to "jump cut" is used to establish the feasibility of the audience psychological basis.In the second quarter on the back clip history,as Griffith Eisenstein-- Godard-- the order,elaborated "the origin of jump cut" and driving force,the source and the analysis of the "jump cut" method-- Godard’s film--<spend oneself>.In the third section, summarized, summed up the "jump cut" three representation methods.In the second chapter, "the ’jump’ in films in the function and the analysis of receiving" title. In the first section,according to "jump cut" concept, evolution, analysis and summary, through the observation of a large number of films that "jump cut" of the film, especially the six effect of the film narrative.And each action are cited two to three examples as evidence. These six basic covers every aspect of the film, very comprehensive.Analysis of the audience to receive "jump cut" the image in the second quarter, with Mcluhan’s media theory as the premise, combined with the life status and mental today’s audiences, summed up the four points, "jump cut" the function find the audience to accept the basis, practical and scientific with the theory of life.In the third chapter, in order to "jump" in the other pieces of the function of "title. In addition to the other types described beyond the film, " jump " which produced function.In the first section, discusses the " jump cut " in MTV, summed up the three points " jump cut " reflects the shape function in MTV, and carries on the analysis to the present most popular South Korean MTV works as an example.In the second section, discusses the embodiment of " jump cut " in the narrative function of the micro film, obtained the different jump cut " in micro film narrative function and in the film narrative function. In the third section,discusses the "jump cut" reflects the function of construction in the documentary, with a characteristic of the documentary as the foundation, taking the art skill and style based on the commonly used in the documentary,summed up the three point function.In this paper, combined with the theory of "jump cut" data, and from the perspective of historical development in the clip the roots of the "jump cut" have been analyzed, summed up the "jump cut" way, and rely on a large number of examples of the "jump cut" technique in film art show, do well. From the historical point of view, "the ’jump’ is out of the previous clip mode" that is a new way of understanding, and summarizes several "jump cut" presentation. Also summed up the role of "jump" in the film as well as the role of "jump" in the other films in the. To make up for the blank of domestic research on "jump cut" technique, and highly innovative, to "jump cut" used in the film and television practice has a positive theoretical guidance value.