Four Chinese National Wind Blowing Based On The Analysis Of The Piano Works And Play

In the 20th century 20 or 30 s,with the exchange and fusion of Chinese and western culture,the Chinese piano art have made remarkable achievements.Chinese composers will be classified by different ways of playing "blowing" and "pull" and"play" and "play" four Chinese traditional ethnic Musical Instruments to piano music,to carry forward,to create the batch have Chinese piano high-quality goods.There are many different kinds of traditional Chinese national wind blowing,and strong pers onality.Its unique production materials,pronunciation principle and technique,under the wisdom of the labouring people long-term accumulation,Formed the unique national style and distinctive playing songs.And applied to the creation of Chinese piano music,from the creation technique,the performance content,playing techniques and the ideological content,not only broke through the old piano music style,technique specification,add fresh blood for the piano music in the world.Also fully shows the unique charm of national music elements,promote the formation of the style of Chinese piano music.On the basis of previous studies,this paper adopts literature analysis,case analysis and performance practice,summarizes four kinds of research methods,mainly from the following five parts,the system to adapt Chinese national wind blowing piano works in this paper.The first chapter of the paper,an overview of the classification of the Chinese piano transcriptions and blowing wind profile based on piano works.The former summarizes Chinese piano adaptation is mainly composed of living museum,folk songs,folk instrumental music and drama,dance and so on four types of adaptation.The latter further clear the Chinese national wind blowing the road to adapt the development of piano music,and associated with this paper introduces the basic characteristics of three kinds of wind instruments.The second chapter lists the representative work of Chinese national wind blowing adapted piano,respectively from the flute,suona,lusheng three blow wind to give detailed background overview adapted in the piano music.The third chapter induces and summarizes the characteristics of the four pieces of piano music.Mainly in three national blowpipe instrumental music and the creation of piano music as the object is analyzed,from the piano technique characteristics,sound more vocabulary characteristics,ethnic characteristics,a kind of shape in the face of national instrumental music piano transcriptions detailed theory analysis and case studies.The fourth chapter to study the four pieces of musical instrument sound playing essentials.This paper mainly discusses from two aspects of playing technique and playing lenovo,on the one hand,from the rhythm,touch and pedal three important aspects to careful analysis to play good adaptation of Chinese national wind blowing the piano work main point,in order to better embody the national wind instruments on the piano sound.Second creation to play the piano on the other hand,lenovo's effective play is also an important factor of wind instruments sound personality of the full performance.The fifth chapter summarized the Chinese national wind blowing adaptation of piano works of artistic value and way of thinking on the development of Chinese piano music.According to the article:the Chinese national wind blowing adaptation of piano works of artistic value not only embodies the essence of Chinese traditional culture,but also give full play to the piano music expression.And the road to the future of the Chinese piano music,two-way development should not only keep the inheritance and creation,creation,play with aesthetic coordination synchronization,also want to uphold absorb multicultural tolerance attitude.