"Laocoon" And Theoretical Construction Of Chinese Aesthetics In The 20th Century

There is a kind of close correlation about the construction of the basic theory of C hinese aesthetics in the 20 th century and the translation,the research of western aesthetics.In western aesthetic classics that has been translated,Lessing's "Laocoon" has a unique and important position.The founders of Chinese modern aesthetics especially Zhu Guangqian,Ch'ien C hung-shu,Wang Chaowen,were touched and inspired by Lessing "Laocoon" from different angles when they were brewing and build ing their own aesthetic theory.It was used privately,or was taken to be reference,or was led to homology.The purpose of this paper is to explore the "Laocoon" of Zhu Guangqian "the beauty of silence",Ch'ien Chung-shu "mutual permeability of poetry and painting" and Wang C haowen different meaning "able to bear or endure look," said,showing the general pattern of C hinese aesthetics in the 20 th century principle to construct and basic view.From the "synchronic" and "diachronic" two dimensions,showing a "Laocoon" research in the history of C hinese aesthetics in the 20 th century history rheological and profound influence,and provides a reference for related research academic thinking.The construction of the basic theory of C hinese aesthetics in the 20 th century,the Principles of Chinese aesthetics in the 20 th century to construct the theory of beauty and aesthetic feeling and art essence as the theme.This article selects Zhu Guangqian,Ch'ien Chung-shu and Wang C haowen three aesthetes just witnessed the formation process of the three principles."The beauty of silence" theory of Zhu Guangqian and "a pregnant silence" of Ch'ien C hung-shu,is a kind of aesthetic psychological dimensions of aesthetic experience.The first with the aesthetic attitude,empathy,intuition,creation as its core concept,The latter is the criticism of the traditional C hinese poetry and standard,and contains beauty in different standard of exploration in history."Able to bear or endure look" of Wang C haowen,said to the art aesthetic theory,from the aesthetic perspective,with "aesthetic how may,as well as the appreciation of the meaning of life" to an end.The difference is that in Zhu Guangqian and C h'ien C hung-shu there,and it is through art aesthetics thinking problem,Wang C haowen here,is a direct aesthetics to explore the art itself.On this basis,this article through the images of "beauty in the exp loration of Zhu Guangqian" the beauty of silence "and Lessing's" indoor "beauty from cognition,fit to outlook.Through "a pregnant silence" explore Ch'ien Chung-shu "mutual permeability of poetry and painting" and Lessing's "have coat of poetry and painting" the similarities and differences.By "less than the vertices" proved "able to bear or endure look," said Wang Chaowen and Lessing's theory of "suddenly" essentially the coincidences in theory.Finally from the aesthetic relation to the aesthetic relationship in life,to the spirit of aesthetic experience.In order to have better understand of the acception of the three "Laocoon",and the meaning of this acception in the Chinese aesthetics in the 20 th century the overall construction.It is necessary to introduce the basic framework of the overall account "Laocoon" and the conception in the first chapter.In the end,it reveals the introduction role of the "Laocoon" in the history of C hinese aesthetics in the 20 th century by "internalization" and "development" and "creation".The end Reflected above,to summarize it in three aesthetics "emotions" as the basis of aesthetic significance in the construction,research significance of this article make a systematic summary and extended.