Dingzhou Hua Zhang Meng Village Investigation And Study Of The Taoist Music

Taoism is a native to China a religious cultural forms, built in the Eastern Han Dynasty, Confucianism, Buddhism, and said the three pillars of traditional culture. It is the most important part of the ethnic and religious culture, in the spirit of the people of faith also has the indelible status and influence. Festivals, the people's worship and some living thing Yidu and Taoism rituals are closely related, it regulate people's behavior, the mind resulting in comfort. Noncommittal, as a cultural phenomenon, it needs to through the means of music to publicity, to demonstrate its strong convince force and deterrent. At the same time, as China's unique religious culture, Taoism music is inseparable with the same Chinese folk music. It draw the essence of Chinese national music, and the development of with their solemn quiet unique artistic style, has important historical significance to study our national music and religious music.This article is divided into six chapters, the first chapter: the historical origin and development of the Taoist music. Mainly through the literature collection and happy people of the oral information to explain Hua Zhang Meng Taoist music class musicians of the survival of the soil, inheritance and development status of musicians, and relationship with the neighboring village of Taoist music. The second chapter: Tao Le class description. Using the research methods of field investigation, into the music club, respectively the Taoism music class musicians and music classes were described in detail. The third chapter: the study of music. Research on music itself, the Puli analysis, and Taoism music and other areas were compared to showed Huas Zhang Meng Taoist music's unique characteristics. The fourth chapter: the ritual process of Hua Zhang Meng Taoist music. A detailed description of the ritual ritual activities of Taoist music. The fifth chapter: the value of music in the funeral ceremony. Discussion is made on the Hua Zhang Meng Taoist music value from three aspects of artistic value, social value, cultural value. The sixth chapter: the inheritance and protection of Hua Zhang Meng Taoist music. Government's attitude and the outsiders view of this cultural phenomenon have decided the remains of this cultural phenomenon, how to survival and development, Hua Zhang Meng Taoist music in urgent need to solve the problem, this paper in this chapter puts forward to how to protect the intangible cultural heritage.