The Innovation Of The Color Of Contemporary Chinese Freehand Landscape Paintings

The topic of my paper is the Inheritance and Innovation of the Color of Contemporary Chinese Freehand Landscape Paintings. This paper contains some aspects, for example the Inheritance of the color of traditional landscape paintings, the appearance of the color of contemporary freehand landscape paintings, the influence of the Inheritance and innovation in the practice of creation. However, what I want to emphasize are as follows: the mental outlook of the works of Ni Zan, He Jialin and Morandi; in my paintings, image type landscapes and ancient villages are the main reflection of my topic. The paper highlights that the color of contemporary free landscape paintings is combined with eclectic character in Chinese paintings and Western paintings. And of course, this is also the focus of my paper.By studying the inheritance and innovation of the color of traditional Chinese freehand landscape paintings, we can provide a theoretical basis for the creation of professional practice in Chinese paintings. While it can also make us aware of the trend that contemporary people’s aesthetic standards are becoming diverse. In order to develop freehand landscape paintings, we have to change people’s idea of a single color. So as to adapt to contemporary art and aesthetic values. Besides, we should learn from the same aspects between Eastern and Western paintings. What’s more, we should make an innovative attempt. And by drawing on the spirit of of the traditional literati, we can make the color of contemporary freehand landscape paintings more vivid. Finally, we may create some outstanding works. Thus, the color of contemporary freehand landscape paintings can be eclectic, you can have a variety of reference and absorption, and the premise is to demonstrate the spirit of the art of landscape paintings.