On The Chu Culture In Meishan Nuo Mask Performance Arts And Heritage

In the development of economic and cultural globalization present, severe impact of traditional culture, many precious traditional cultures gradually disappeared. Nuo masks as the typical representative of traditional Chinese arts, and its development could not escape the environment control. Fortunately, the efforts of many scholars and fruitful in recent years, the study of nuo masks, protection of local governments greatly enhanced.Paper to Meishan nuo mask for research object, from culture history of angle cut, theory and practice phase combined, by from abstract to specific of logic order, from Meishan nuo mask of origin, and interpretation and art prospect three a part followed by expand discussion Meishan nuo mask of contains of deep of Chu witch culture connotation, on Meishan nuo mask of interpretation focus from its unique styling consciousness, and decorations meaning and color of symbolic expand, using compared research of technique, horizontal will Meishan nuo mask and "variable people play", and Guizhou anshun area of nuo mask art in styling, And is patterns, and color, and type aspects for compared, longitudinal will Chu lacquer styling, and painting on silk patterns, Chu artifacts and Meishan nuo mask art of styling, and patterns, and color compared, Meishan area of Xinhua Tatsubo, and temperature Tang and anhua Xinhua junction of Tong Xia nuo mask for than, while used field investigation, in-depth Meishan hinterland, study local folk folk, access civil artists, from discussion Chu witch culture in Meishan nuo mask art in the of performance and heritage. Paper is intended to reveal traditional culture how to exist in a different way in the present, and permeates all aspects of people’s lives. Promote the retention and development of traditional culture, and called for greater attention to the intangible cultural heritage and protection.