Theory Of Six Method Of Imitation In The Expression And Significance Of Research

"Imitation" is one of the origins of the ancient art of the west,originated in the fifth Century be.China has not yet formed a system of"imitation" theory,but "imitate" the existence of this behavior should be recognized as a fact.Is the imitation and reproduction on the shape of the objective things such as pottery in primitive ancestors appear constantly frog patterns,water ripples,s lines mostly from the survival of the human nature image at that time.The from imitation about combination of Sheikh "six principles" in on imitation "pictographs" and "transfer mode" two painting theory’s concept,the interpretation of ancient painting in China imitate the behavior of the development and evolution,as well as Chinese painters is how to pass this way to recognize the world,expressing the inner heart,convey their art spirit.Attempts to explain the imitation in Chinese painting is not simply a mechanical reproduction of real objects,it is from the imitation of nature,imitating the previous to mimic a process of his own mind,reflected is ancient Chinese painters,the pursuit of "the unity of heaven and man","heaven and earth and gave birth to me,million and I as a" artistic spirit.This paper is divided into four parts to carry on the discussion.The first chapter mainly elaborated in the "imitation" before the birth of the concept and imitative behavior of the original painting.The original dance,and original music to prove the origin of art of early engaged in cultural activities in the imitation factor;the second chapter to Sheikh "six" one"pictographs" as the object of study,and according to the view of foreign scholars,known as Sir John Barrow:"they were painting the natural objects is inaccurate"[English][John Barrow the Qianlong "(Li Guoqing,et al),Beijing Library Press,2007 edition,the 231 pages.The similar remarks,to Chinese painters was not able to draw with real objects similar to the painting,misunderstanding,to explain in the ancientChinese painting painters painting thought;chapter three will to Sheikh"six" one "transfer mode" as the research object,transfer description is a method of painting masterpieces of ancient China copy,spread through the ages,has never been interrupted is due to the "transfer mode",we will be able to enjoy many authentic lost paintings,"transfer mode" embodies Chinese painting unique inheritance.Secondly on Chinese painting Mogu phenomenon is analyzed,indicating that the ancient Chinese literati painters often former style determined their own style,and the understanding of their own into.After the previous deep pen and painting by imitating the ingenuity,finally achieve the purpose of innovation.Last chapter mainly explains after thousands of years,Chinese painters gradually from the original copy of nature to imitate previous finally reached the inner world of innovation,draw exists in the heart of things,artist is their own,nature melt in his chest,through the chest already loaded into the rich cultural knowledge,after conversion,precipitation of the imagination,and make and inosculation reflects Chinese artists,the pursuit of "harmony between man and nature" the artistic spirit of the.