The Narrative Strategy Of "Intertextuality" In Screenwriting

The concept of "intertextuality" from the rhetorical structure of the earliest, followed by the academic circles extended to western "intertexuality" as the core of the theory of academic theory, "intertextuality" as a "cross reference written, and Jianyi," the concept of structure, or narrative strategy, in dramas and movies for which the application is also very extensive. Unfortunately, there is still no clear concept of scholars and writers, there is no such special narrative from characteristics, form and meaning to be analyzed and summarized and summed up the rule and characteristic of creation.In the movie,the use of the" narrative "also exists in the short meaning of the film. At the same time, "intertextuality" can be as the narrative strategies of the structure of the entire film, and is not limited in a certain type of film narrative, is a universal significance of narrative method.The narrative strategy of "the" is an advanced form of the use of the "play" in the set of structure. Overall, the formation of "intertextuality" echoes, cannot do without two logic: coincidence and deviation. In addition, the "cross province" form, can complement each other and see the echo. In addition, we can use the multi line characters to map and supplement the "inter-" narrative technique, which can be summed up as "complementary" ". Remove the Intertextuality between movie text, text formed outside the intertextual relationship is intertextual narrative strategy is important one annulus, a similar "Russian Doll" intertextual narrative to the text and the text inside and outside, the creator and the creator of the before and confirm each other, mutual exchange, mutual reflect.