The Research Of W Modulation Zheng

The development of Guzheng music culture created Chinese ethnic musical instruments,has experienced two thousand years of history of the baptism.Confirm the Guzheng music culture value and historical significance of existence,Until today,Guzheng is a high-profile folk instrument,which is liked and learned by many persons.Zheng innovation in development continuously,"W" type of modulation Zheng is a kind of modulation Zheng.,as well as a part of the modern music.”W “is Hebei Fuhai modulation modulation Zheng Investment Limited company president Mr Zhao Haifu."W" type of modulation Zheng was developed by Pan Haiwei and Pan Haixin brothers for fourteen years.Exhibition held in Yangzhou in 1996 "China Zheng art Third Symposium".The design principle of the W modulation Zheng is to mid Zheng code as the center,left and right two playing area.The playing area retains the original guzheng pentatonic scale,the left playing area is seven tones.Playing function with twelve average law.At the same time to make up for the lack of sound modulation Zheng less law phenomenon.W modulation Zheng is very wide in the repertoire,can play the zither works can also play the piano works.Play not only to retain the original style of playing the zither,and you can use the W modulation Zheng playing twelve average law works.In the present study,the author expounds the differences between W and other two kinds of improved modulation Zheng.And American anthropologists and national music scientist Meriam and Timothy Rice's theoretical model is applied to this study.To see the W modulation Zheng existence rationality and value from a deeper level.In order to establish the W modulation Zheng position,and see the W type of modulation Zheng music and cultural development to promote the role and strength.The thesis mainly consists of three parts: introduction,main text and conclusion.The main text is composed of four chapters:The first chapter is the history of the development of Guzheng music;The second chapter elaborates on the W type of modulation Zheng;The third chapter from the perspective of folk music interpretation of W modulation Zheng;The fourth chapter is the influence and significance of the future development of W modulation zheng.