Comparative Research On Creating Style Of Landscape Painting In Chang-an Painting Faction And New Jinking Painting Faction

After establishment of new China,the national leadership proposed“double hundred” policy that “all flowers bloom together in terms of art problem while all schools of thoughts contend for attention in terms of academic problem” in 1956,which has aroused a lot of response in national intellectual circle and literature and art circle and received warm welcome and advocacy of wide literary and art workers,and motivated their enthusiasms to dare to face the real life and have the courage to create,explore and innovate,and vibrant prosperous prospect like mushrooms after rain appears in the entire literature and art circle.After the 1960 s,affected by revolutionary art and literature of Yanan and new trend of thought of socialism in literature and art,a batch of relatively active schools appeared successively,such as Chang-an Painting Faction and New Jin Ling Painting Faction etc.This paper takes Chang-an Painting Faction represented by Zhao Wangyun and Shi Lu and New Jin Ling Painting Faction represented by Fu Baoshi and Qian Songyan from the 1950 s to the 1980 s as research objects and makes comparative.During the study,from the space and time again on this important historical moment at 60 s as a node,is divided into two parts,from the three aspects of content,form,ink to comparative studies,respectively.On the basis of existing research,this paper use the method of comprehensive analysis,first from the two school social background and historical origin,painting,and their respective art that represent the painter art frame evolution and so on several aspects of the analysis and comparison,and then based on their comparative study landscape painting style.This paper studies the implications and effects of the analysis of contemporary landscape painting and summarizes the full text.