On The Aesthetic Features And Development Of Linear Language In Chinese Painting

Chinese painting is the highest representation and art model boastingoriental aesthetic characteristics and artistic taste,and it in the history of the world art has irreplaceable important value.Chinese painting with its broad and profound cultural connotation,unique artistic style form and a long artistic language tradition and accumulation forms its own artistic tradition.Among them,different from the Western art which emphasizes the characteristics of three-dimensional modeling,Chinese art linear language features is one of the most distinctive aspects.On the basis of this thinking,this paper focuses on the history of Chinese painting,supplemented by the analysis of specific works and other methods,combined with the development of contemporary Chinese painting and their own creative understanding of the discussion and research.Through the elaboration of the specific opportunities and development process of Chinese painting linear artistic expression language,it basically clarifies the development and basic characteristics of each stage of the art language system from the beginning of the Qin and Han dynasty to the Sui and Tang dynasties.This paper discusses the relationship between Chinese painting and calligraphy,the aesthetic characteristics of calligraphy and painting,and discusses the problems related to the aesthetic characteristics of Chinese painting linear language from three aspects: the line in the shape,the line of pen and ink,the line of independent aesthetic meaning.Besides,this paper combining the author's creative practice experience,discusses with the Chinese painting creation related to the painting modeling,ink to deal with specific issues.The conclusion is that the Chinese painting pen and the calligraphy pen whose quality directly affect the quality of the line itself,the process of writingrelated to the line Strength,flexibility.In the process of actual creation,in addition to the line modeling,it should also use the contemporary line of the performance method,use linear languagemore simple and direct,focus on the line of modeling and the unique logic of the material and refining In the object of the look,Linear language thinking is to make the deformation more simple and direct.In the specific use of the pen on the intention to strengthen the mention of the press,setbacks,resulting in heavy and varied changes in ink,exaggerating the speed,the rhythm the direction of the pen anyway,turning reflects the diverse changes in handwriting,line pen method integration side,center.And the richness and stratification of the characteristics of the object,through the linear art language make the picture more rich and artistic,having appeal and aesthetic value.Finally,the author puts forward the personal view that the linear art language of Chinese painting is a unique language system which combines the traditional Chinese philosophy and artistic spirit,and embodies the special aesthetic and world view of the Chinese nation.But it also has a long history of artistic expression and creative methods,in the development of the gradual formation of a distinctive Oriental art taste and aesthetic connotation.It has a strong vitality and appeal in the development of history,and it can't be underestimated the formation of the traditional Chinese painting and the development of Chinese painting.It also plays an important role in the creation of Chinese painting in the future.