| This paper mainly analyzes the creative techniques of Du Zhaozhi’s works "The festival by Genghis Khan’s mausoleum Symphonic Poem" from the angle of "music image",and analyzes each musical image from multiple angles in order to restore its fundamental attribute.The author through the symphonic poem "into the mausoleum" analysis found that the whole work is like a picture,each picture is so vivid,and so smooth,even if the music lovers first heard this Symphony can also feel every image,and analysis found that all the technical means are for the music image of the service,the music image is the core of this work,and then explore what kind of creative techniques to shape.This kind of music image through this image to express what kind of emotion,this is my point of view of the starting point and the original intention.This paper is divided into four parts to analyze the Du Zhaozhi’s works "The festival by Genghis Khan’s mausoleum Symphonic Poem".In the first part,the background,significance,reason and research value of the topic are introduced in the introduction,and research on Du Zhaozhi is reviewed.The research literature of "The festival by Genghis Khan’s mausoleum Symphonic Poem" is reviewed,and the research on Du Zhaozhi’s works and his creation of the literature list.The second part is to describe and analyze the learning process and growth experience of Du Zhaozhi to explore the formation of Du Zhaozhi’s musical language.The third part can be divided into two parts.On the one hand,the author analyzes the structural design of the symphonic poem in the background of "The festival by Genghis Khan’s mausoleum Symphonic Poem",and on the other hand the author analyzes the structure of the symphonic poem from the subject matter,The composition of the genre,the structure of the composition of the style,the tone of the use of color,rhythm and speed of the arrangement,the Mongolian style melody tone in the use of the whole song,harmony of the overall layout,transfer technology,the overall concept of these seven aspects to sort out the summary.The fourth part,starting from the music ontology,mainly from the "music image" of this point of analysis,the whole song is divided into three major sections,the first paragraph(A part)of the music image is the picture of "Genghis Khan mausoleum".In thecreative approach mainly through the theme of the selection,the composition of the sound,the use of sound effects of these three aspects of technical analysis to see how the author is to build the scene and the feelings of the author’s heart,the first paragraph of the second music image to the 13 th century Genghis Khan ruled the peacetime scenes,melody with the sacrificial music material,in harmony with a combination of tone to bring out the image of the 13 th century peacetime.The author is careful of connect the distance came from the horn sound of the wording,so that the screen from far and near,leads to the team’s music image.The second piece of music mainly depicts four musical images: 1lined up,2 expedition,3 fights,4 triumph,the four music images are penetrated together,there are progressive process and consistency,in which each image is also special Clearly,like the lined up and the author of the use of polyphonic echo of the weave and Mongolian style theme of the vivid image of the collection of the military scene and the scene of the start,in the battle of the use of two music image metaphor Genghis Khan army and the enemy.The author on the use of the former notes on the eighth note with the Mongolian melody tone to build a firm and powerful horse Mercedes-Benz music image,great impact,in the triumph of the music image of the author using bass instruments percussion instruments such as Mongolia Style singing and dancing celebration of the screen and so on.The third part is the reproduction part,the author only reproduces the first part of the first part of the musical image of the latter part of the folk songs with the phrase,the author of the use of the practice of contraction reproduction. |
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