On Contemporary Guzheng's Songs And Tang Poems

Zheng is our traditional national musical instruments,now has three thousand years of history,its official name is called "zheng",just because the history is very long,so now most people are called "guzheng".The author's central idea is to study the close relationship between zheng music and Tang poems,among which the three chapters as the basic direction began to study,the first chapter briefly describes the history of China's Zheng music development.As a zheng who,the most basic is to understand the historical development of Zheng music,whether it is talking about what the development of things,and ultimately have to return to its origin,so this article is a starting point is how the origin of Zheng The original understanding of the abstract to the existing concrete knowledge.Followed by a brief introduction to the development of zheng music before the Tang dynasty in different periods,respectively,from the Qin Dynasty,the Han Dynasty and the Six Dynasties,Han Wei and Six Dynasties later three practical dimensions to elaborate.The second section of the Tang Dynasty Zheng Zheng as the title of the second chapter of the Tang poetry in the music.Will focus on this chapter of the Tang Dynasty zheng music culture,the Spring and Autumn period of the Zheng began popular in the country until the Tang Dynasty flourished,but also by the Tang Dynasty political system decision.Relatively speaking,the Tang Dynasty political system poems more relaxed,class sex is not so strong,followed by a group of endless creative inspiration of the poet,leaving a lot of wonderful and famous ancient poetry.In the Tang Dynasty,the poems of the zheng music were counted,and the part of the study was extended.In recent years,many composers have to Tang poetry as the theme,combined with the feelings of Tang poetry in the zheng music on the second creation.These works contain a profound cultural connotation,but also reflects the spirit of our culture.Which leads to the focus of this article-Chapter III.The third chapter is based on the research of the five ancient guzheng songs and the Tang poems,and the contemporary ancient zheng song "Qin and Song Dynasties" and the Tang Dynasty poem "Spring";the ancient guzheng song "Spring River Moonlight" and the Tang Dynasty "Pipa" "Dunhuang" and "Tang Qiuwang" of the Tang Dynasty;the ancient zheng song "Fengqiao night park" and the Tang poem "Fengqiao night park" and the contemporary guzheng song "Harp cited" and the Tang Dynasty "Li with the hole" from the horizontal and vertical To analyze the creative background of his works,from the writing background of ancient poetry,the author,as well as the creation of the song of the composer and so on several aspects of contact and comparison,experience the beauty of music and culture.Through this kind of interdisciplinary research,from a multi-angle perspective,a deeper level to understand the origin of the development of zheng,to understand the meaning of the work of the zheng works want to express,which is to help the player to increase the inspiration of the second creation,but also Can give the player more theoretical support and better interpretation and understanding of the work,of course,for the audience,it can also have a clearer understanding of the music works,so no longer blindly stay in the surface,shallow The knowledge.