The Presentation And Expression Of Chinese Minority Children’s Films

Film is an art of audio visual combination;and the main audience of children’s films are children and adolescents.For more than half a century,the Chinese minority children’s films have gone through an extraordinary path.While enriching and expanding national art,it presents new characteristics in three writing dimensions of history,culture and cross domain with its own uniqueness,national style and national culture so that strengthens exchanges among Nations.Therefore,the present situation and problems of Chinese minority children’s films are more urgent;and it is necessary to explore the healthy development space of Chinese minority children’s films.This paper is based on the film theory,which according to film aesthetics,film narrative,narrative psychology and the concepts of national children’s personality and modernity developments on.This paper discusses the creation of Chinese minority children’s films on the premise of historical and logical unity,which consists of five chapters.The first chapter is the introduction that l includes mainly expounds the research background,purpose and significance of this paper,and summarizes the present situation and the literature information of research object at home and abroad.The second chapter mainly based on clearing research object.First,sorting out the related concept of children’s film;and clearly expounds the concept of Chinese minority children’s films.Secondly,expounding the creation background in the beginning,production status and creative characteristics.Finally,resulting the Chinese minority children film to focus on the history of Chinese children’s film;and the development process is divided into five stages ofdevelopment based on it to discuss in detail.The third chapter discusses the narrative strategy of the research object.The first section is to classify the subject.The second section uses the narrative theory of "story and personality" to descriptive analysis Chinese minority children films.The third section analyzes the children image and adult image of the film.The fourth chapter mainly explores the benign space of the film development of Chinese minority children.First,it is necessary to reference foreign children’s creative experience through comparative analysis.Thirdly,analyzing the image characteristics of Chinese minority children films in the perspective of culture;and discussing the types of development strategies.Finally,exploring the market prospect of Chinese minority children’s films in the future bases on the background of domestic film propaganda.The conclusion part of this paper reaffirms the uniqueness of the research object.Although the film of minority children is growing in the "labor pain" in China;and it is facing the issue of distribution,but it still can create brilliant.