Contemporary Chinese Musical Films Of Typed Development Research

This paper based on the contemporary Chinese typical movies, mainly withcontemporary Chinese musical films for the study, using the same history and logicanalysis, the evolution of musical films of media, case analysis of the audiovisuallanguage, this paper discusses the typed contemporary Chinese musical filmsdevelopment strategy.From classic Hollywood primarily the United States early musical films ofdevelopment to desktop dancing and singing, mix style after the coexistence of dancingand singing, new Hollywood of musical films to desktop mix style after musical filmsand the youth of fusion dance of the three pillars of the new period of musical films, thetype of form is not achieved overnight. Although the contemporary Chinese musicalfilms with the creation of the freedom of the environment, but production quantity is notmuch, especially in narrative type of musical films why, and not from the form style andcreation on the amount practices, is still in the type of missing state. Increasing thenumber of movie audience, increase gradually around the cinema, gradually to song anddance genre movie interested in director and actor, let the song and dance genre movieformed in China have opportunities for improvement. Creative environment, from filmto the later propaganda, musical films types of making movies material and technicalconditions are more and more convenience, how to change the state of loss, from thepurpose of writing that is subject to dance and form, improve, how to promote themarketization of musical films in China, how to train the potential of song and danceaudiences, is contemporary Chinese musical films of creators and the problem need tothink about.This paper expounds the three parts of contemporary Chinese musical films oftyped development. The first part, from Chinese song and dance movies of the historyand present situation, expounds the logical thinking through historical overview ofmusical films, the formation of the Chinese type of musical films of the historical andcultural traditions. On the basis of the development survey of contemporary Chinesemusical films, the existing problems of the musical films in China that type of loss. The second part, this paper expounds the inner mechanism of art from cross to productionefficiency: song and dance movies of "combination reaction" and the market. This partof the use of Paul Levinson’s "media evolution" analysis of the internal mechanism ofmusical films. singing, dancing, and image combined to degree, from popular cultureperspective Chinese song and dance movie type the problems existing in the process ofmarket, marginalized, and puts forward the contemporary Chinese popular culture onsinging-dancing narrative has alienated from sex and potential compatibility. The thirdpart, put forward the contemporary domestic musical films of typed developmentstrategy: art style, from romanticism to critically realistic; Production mode, mix theother types of movies; Practices of the means, select the deepening star is made thepromotion of China’s sustainable development of song and dance movies; Spread on theway to digital technology, training a generation after90the most potential audiences.