A Comparative Study Of His Paintings And Literati Paintings Chinese

The nationalization of oil painting is the relentless pursuit of the goal of countless predecessors China for nearly a century, there are still many outstanding artists in constant exploration, and has made considerable progress, the grafting simple form language to native culture consciousness, wake up, Chinese oil painters have to penetrate into the spirit of freehand Chinese the use of various painting styles and techniques. In recent years, integration of "literati painting" and "literati painting spirit" and is respected by many people and advocate, this is the depth of excavation to us the essence of national culture, in this context, the art of Morandi once again entered into our field of vision.George Morandi(Giorgio Morandi, 1890 ~ 1964) is the most representative of the twentieth Century European artist, his paintings and reserved, quiet and empty, in appearance and quality are China and "freehand brushwork" or "literati painting" has a lot of similarities. Bulthus early sharp note of this, he pointed out that the Morandi is closest to the Chinese painting, the European painters, China’s famous western art historian Mr.Xingxiaosheng is the Morandi known as the West’s "Zhuda".In the western painting system of Morandi, why his paintings and Chinese painting works "literati painting" to produce contact? Through comparison and analysis we found between the two layers of links, we are here to say literati painting directly on Morandi impact, because in comparison different time in different regions of the art style might be far fetched, but the art context and connotation of the existence of similarity, or two kinds of painting to the viewer’s first feeling and psychological effects have many similarities, such as the picture conveys the empty environment, simple environment, elegant environment, simple environment etc..So, why would have such a similar, is a coincidence or a certain link? This is worthy of our deep thinking and research. This article mainly from the following aspects: the first is the analysis of the appearance characteristics and temperament of art from two to analysis, to explore the possible similarity between the two. The second is starting from the analysis of painting language in the art of Morandi, the theme, material, its unique artistic plot analysis, feel the spirit of art and the picture of the situation to achieve the overall understanding of Morandi’s painting. Then based on this understanding, to compare the literati painting art characteristics, analyze the relationship between art and painting of his. The overall analysis by the "objective" to "the subject" to "inner feelings", in the creation of the methods of picture composition, space, shape, line, color, lighting, pen and other aspects of factors, facing the cultural background and the current of thought of thinking in the artistic spirit layer from the outside to the inside, from objective to subjective, from formal techniques to the cultural spirit, a comprehensive system to tease out his paintings and Chinese "literati painting" relationships.His paintings and literati painting China similar has its accidental coincide, there are also many inevitable reasons, some painting techniques are similar, with more inner spirit. So in-depth study of Morandi’s painting has a very important significance for the interpretation of our thinking and Chinese development characteristics of contemporary oil painting, he is like an art peak, is a cultural bridge.