Thinking And Exploration Of Chinese Oil Painting Creation

After hundreds of years of development,the liu haisu,Lin Fengmian,Su Tianci,wu guanzhong,xu beihong and so on several generation of oil painting masters and prosperity contributed to the development of Chinese oil painting after his effort and strength,it seems like the creation of the contemporary Chinese oil painting is going to need through reform and innovation to find direction,promote development and a transition period.The author thinks that,only the nation is the world.As a result,Chinese oil painting creation idea and technique innovation and development,must be rooted in the rich soil of the national traditional culture,from the traditional painting,traditional theory of literature and art,and all forms of literature and art to absorb various forms of available and appropriate element,can ensure that our oil painting with solid culture support,in the creation of the nationalization and localization road continuously made new progress.Based on this concept,the author thinks that the oil painting nationalization is the traditional Chinese painting and western modernist paintings found in common.Therefore,the author chose "of Chinese oil painting creation thinking and exploring" as the subject,to explore the changes of the aesthetic spirit in Chinese contemporary oil painting,the trajectory,reveals the contemporary Chinese oil painting whose content diversity and richness,and from the perspective of aesthetic spirit and aesthetic character building,reform and development of contemporary Chinese oil painting problem put forward their own views.Research on this topic is divided into the following parts: The first part is an introduction,introducing the topic background,research significance,academic health literature,research features and innovations,will break through the difficulties,and a series of research methods and content information;Interpretation of the second part of "image" concept in oil painting aesthetics connotation and analyzed in the course of development of Western painting and traditional Chinese painting,the "image" forms and Inner meaning of evolution,Trails,Finally revealing Chinese paintings have a "Image" aesthetic significance;part Ⅲ discusses traditional Chinese painting in the points,lines,strokes in shaping the "image" and other aspects of the function,role;fourth part;the fifth part,from " grasp of traditional culture,aesthetics penetration in the creation," " penetration in the times of the creation of traditional cultural aesthetics "," creative experience from the West,traditional implant aesthetic elements " and " innovation perspective oil painting,heritage aesthetics " this four-pronged approach to raise the national artistic vocabulary into the traditional painting in the contemporary oil painting of ideas,methods and recommendations;the fifth part is the conclusion,summarizing the views of the full text,summary,revealing the core argument of this article.