Research And Interpretation On The Theory Of The Chinese Movie Adapted From News

Throughout the history of world film, there are abundant films adapted from true stories in the real life. So adapting the news events from news reports to films is an important way to move our daily life into the screen. In china, with the diversification of film materials and news reports, the phenomenon of creating films by drawing materials from news is becoming more and more important, and the interaction relationship between the film and the news is attracting more and more attention. Therefore, this paper is going to study on the film adapted from news.As an important academic achievement of Pierre Bourdieu, a famous French scholar, "Field Theory" has a wide and deep impact on the contemporary humanities and social science, giving us a new viewpoint and idea to study on films, film theories and film phenomena. Some scholars take "Field Theory" as their study object, and some take it as their research tool to analyze the contemporary social science.Basing on the research of the Chinese films adapted from news, this paper is going to systematically analyze this kind of films by using "Field Theory" of Pierre Bourdieu and taking this kind of films directed by the sixth generation of director as examples, and put forward the practical dilemma and the development strategy. In chapter one, it studies on the research status of this kind of films, then it points out the problem to be solved, the innovation point, and the research approach, purpose and meaning. In chapter two, it studies the creation overview of this kind of films at home and abroad.In chapter three, it summarizes "Field Theory" of Pierre Bourdieu. Basing on three core concepts (custom, capital, field) of "Field Theory", and taking this kind of films directed by the sixth generation of director as examples, it systematically discusses on "films adapted from news field" to better understand the factor, the narration of this kind of film and the relationship of these two media. It also analyzes this kind of film by using "loser wins" theory to discuss and solve its economic plight. In chapter four, it gives the development strategy of this kind of film in china by combining "Field Theory" and practices.