Emotion,Imagery,Intellectuality:the Express And Morphology Of Modern And Contemporary Marine Literature

In 1975,Zhu Xueshu,a scholar of Taiwan,put forward the concept of 'Marine Literature' first in the 'Opening up the new realm of Marine Literature'.He believes that the so-called 'ocean writing' is not only the writing of marine imagery and natural ecology;it also includes people and the inner spiritual world of people.It is 'the ocean of emotion','the ocean of thought','the ocean of Zen' and 'the ocean of experience'.Although the concept of 'Marine Literature' has not formed a unified concept yet,the study of marine literature has unfolded and has been further developed.The marine literature in this paper,taking the ocean as a writing object,is the literary texts permeated with the human spirit of the ocean and contains maritime imagery,textures and human's marine consciousness and ocean spirit.Human activities are carried out in the ocean and at the same time above marine imagery.As the writing object of life and soul,the ocean constitutes the basic appearance and essence of marine literature.Based on a large number of marine literatures,this paper selects a wide range of observation view,and attempts to study the writing morphology of modern and contemporary Chinese marine literature from three perspectives:the emotion,the imagery and the intellectuality of the ocean.This paper tries to show relatively complete Chinese modern and contemporary marine literature re and its basic characteristics.The paper consists of five parts,such as introduction,main text,three chapters and conclusion.The introduction begins with the ocean,ocean art and marine literature,and then gives a general review and interpretation of the study of marine literature and its definition.The first chapter of this paper mainly observes and expounds ocean literature from the angle of emotion.From the different aspects of the writing of ocean and marine imagery and the expression of multiple emotions in marine images,the paper comprehensively and concretely analyzes and discusses the ocean,marine imagery and the emotional expression of writers.The second chapter,mainly from the aspect of intelligence,orientation and artistic expression,discusses the relationship and the artistic expression between marine imagery and intellectual implications in marine literature.There are two main forms,namely,marine imagery as a symbol and marine imagery as experience.Some marine literatures express and embody the intellectual thoughts and implications by means of this kind of image rhetoric.The third chapter is concerned with the study of marine eco literature and its criticism.Combined with the attitude of the people from fear to confrontation,and the change of concepts of harmony between man and ocean,this paper tries to arouse people's understanding and thinking about the importance of marine ecological protection.The theory of marine ecology arose in foreign countries,and now it has been paid more and more attention in China.This chapter,combined with the marine ecological crisis,ponders deeply on the future of human survival and the marine ecology literature development,so as to arouse people's great attention.In the conclusion part,paper gives further description,thought and expectation to the value and significance of marine literature and the prospect of marine literature.