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Image's Reappearance To History From Historical Play

Posted on:2018-07-20Degree:MasterType:Thesis
Country:ChinaCandidate:Y Z ShenFull Text:PDF
GTID:2335330512994901Subject:Theater, film and television
Abstract/Summary:PDF Full Text Request
Based on the case of “Ming dynasty 1566”,by the example of its movie techniques' concrete application,it tried to analyze how historical plays should deal with all kinds movie languages,and then present the relevant historical truth,in other words,the representing of historical images in historical plays.Image representing function is originally one of the most basic and most important features,historical themes of film and television works,in particular,the images of the works are reshapeing and presenting of history.In fact,arts come from life,but higher than life,and indeed there are true gaps between artistic works and real history,including errors from the librettists' mistakes,such as mistakes from clothing,languages,etc.But more of them are used for better showing history itself or from librettists' cognition to history himself or their intentions for the needs of the audience.It mainly discussed presentation and function of this kind of "intentions",like differences between plot settings and the true history,characters and the historical people,expressions and significances of concrete application of historical plays,film and television techniques to historical representing,all these were our concerns.Based on the layout of the four chapters,it discussed the main movie means of “ Ming dynasty 1566”.The first chapter generally described history concept,concept of historical plays,and causes of the case choosing.The first half illustrated the concept of historical plays,image representing,and their mutual relations.Then mainly discussed relations between history truth and artistic truth from the perspective of historical truth and artistic truth.The last half comparatively discussed classic significances of “Ming dynasty 1566” from the perspective of the Ming dynasty history and its historical plays.The second chapter mainly analysed the presenting historical truth in “Ming dynasty 1566”from the perspective of scenario setting.The first half discussed the series hidden beneath the surface presenting from the unique angle of view.The last half part analysed some subplots from real historical events and fictional events of the play respectively.The third chapter discussed history truth of the series presenting from the angle of the characters.The former part discussed the main characters,emperor Jiajing and Hairui,also two main groups,eunuchs and courtiers.The last half part argued respectively selected typical characters from the angle of historical real people and fictional people.The fourth chapter analysed history representing techniques of its creation means from the angle of audio-visual languages.A few main points were selected to discuss how images better represent the history,one one hand,art representing from the perspective of image language,including shots,character styles and image processing;on the other hand,history presenting from the perspective of sound languages,including dialogue,music and acoustics.
Keywords/Search Tags:image representing, historical plays, ming dynasty 1566
PDF Full Text Request
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