| Mo yan liked listening ghost stories and anecdotes in the childhood,then he met Strange Tales from a Lonely Studio.After a long time,moyan attached to the Strange Tales from a Lonely Studio again,because moyan inspired by William Faulkner,so he returned country and native innovation.Mo yan and Pu songling 's heart which beat in unison,they all have abundant imagination,they are good at telling stories and expressing self-emotion.Mo yan gasp in admiration of pu songling's purposely make a mystery of simple things and the tittle-tattle between person and ghost,so he draw creative resources from Ghost stories,in addition,he use the magic narrative,put the ancient Chinese folk legends,myths and western modern elements together,to create his own literary kingdom gaomi northeast township.Mo yan's gaomi northeast township is a blend of folk,history and modern magic realism,is the integration and innovation of the Ghost stories.This paper put folk as foothold,and mainly from five aspects to discuss mo yan's inheritance and innovation of Ghost Stories.including moyan's acceptance and identity to Ghost Stories,the theme of bizarrerie and legendary,the transform of the folk and the enhancement of Artistic structure,animal narration and the thinking of life,the writing value of mo yan's Chinese magic realism.The introduction part of this article mainly expounds the background,the present research situation of moyan's novel,meaning,analysis methods.The first chapter of this thesis focus on the origin of mo yan and Ghost Stories,mo yan and pu song-ling's convergence in literary and cultural.In the childhood moyan often listened all sorts of evil-doers stories from his grandma and grandpa,these strange stories just like Ghost Stories.Reading with ears affects mo yan's feelings and creative personality.in 80's of the 20 th century,after affected by Faulkner,moyan returned to the native and country,returned to Strange Tales from a Lonely Studio,returned to the traditional fantasy narration of classical fiction.In addition,both mo yan and pu songling pay attention to tell stories and express self-emotion in their literature,and have similar folk and regional culture.The second chapter focus on the theme of bizarrerie and legendary.mo yan's novel and Ghost Stories both have the theme of the cycle of life and death,local legends and allegorical realistic,but mo yan's narrative theme is more modern,is a return to Ganmi folk legends and mystery,is the irony of modern society,is a wider perspective.The third chapter is based on the folk position,mainly talk about the inheritance and innovation of artistic structure.mo yan put the dream stories diverted to his own articles,use a more unique and special narrative methods to express the uncertain feelings.He also extend the length of the Ghost Stories,and use a language,which appeals to both refined and popular taste,to represent the dimension of the novel,and use the stimulation of carnival language to impact on the readers.The fourth chapter is discussed the inheritance and innovation from the view of the cacogenesis and the thinking of life.the Ghost stories writes animals transform human,also write people just like all kinds of animals.There are all kinds of spiritual animals in mo yan's works.Moyan in the view of animals to observe people and society,then he satirize the darkness.Through human become animals and obsessed with objects,Mo yan thinks about people in modern society,feels the race of degradation.The fifth chapter mainly discuss mo yan's illusion realism,include its special and influence to modern literature.Moyan's illusion realism is a blend of fantasy and reality,the folk myths and legends,it continues to write history and contemporary society,it is connect traditional god-evil novels and western modern literature,it is a unique gaomi northeast township which belongs to mo yan,it also has certain influence on god-evil novel of the present network.Conclusion part is the induction and summary to the full. |
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