Hollywood Disaster Films Since Twentieth Century,90s Study On Construction And Aesthetic Effect Of Audio-visual Deographic Systems

1990s digital film technology into the image texture,technology allows the virtual reality and the reality of the construction of the image,ideographic mode,aesthetic experience richer.At the same time,the multimodal discourse analysis theory came into being,and with the social and cultural and psychological cognitive research,constitute a scientific analysis of ideographic system.Global vision is based Chinese culture going out,the film as an important carrier of cultural soft power output,in the global cultural competition in Hollywood,is China film must face the enemy.From the theme to the cultural identity,it is very important to construct the rational interaction mechanism between the local creation and the global audience.Based on China's input and output proportion of the disaster film gap as the core,in 1990 s the Hollywood disaster movie as an object,as "meaning potential" of the social cultural context as the starting point,to study the structure of multimodal discourse analysis framework for reference,establish and recognize the ideographic interactive cognition with order.With Gestalt principle,cognitive semiotic perspective as the breakthrough point,a systematic study of the formation mechanism on the construction and ideographic aesthetic effect,objective analysis,strategy of Hollywood cultural hegemony codes,we improve the construction experience,China type international film aesthetic identity effect culture consciousness and practice strategy means.The author from the aesthetic cultural discourse system and aesthetic effect from the perspective of multimodal discourse context and discourse three metafunctions as the foundation,formed by the social and cultural meaning potential,situational context and coordination mechanism,audio-visual system logic structure as the research significance.In the first chapter,the author makes a systematic analysis of the ontology of disaster types,and constructs the disaster film subject system with aesthetic cultural orientation.Depth analysis of the multicultural context of Hollywood disaster films since 1990 s.In the second chapter,the author takes the aesthetic context as The author from the aesthetic and cultural system in the establishment of aesthetic effect from the perspective of multimodal discourse communicative context and discourse "three metafunctions as the foundation,the formation of multimodal discourse meaning potential as the core,with the aesthetic effect as the basis and the ideographic writing strategy by deep layer level,systematic film aesthetics the structure system of disaster.In the first chapter,the author sorts out the ontology of disaster types systematically,Constructing the subject system of disaster films with aesthetic cultural orientation.Depth analysis of the multicultural context of Hollywood disaster films since 1990 s.In the second chapter,firstly,based on the interactive effect of aesthetics,the Aesthetic Logic of ideographic system and aesthetic identification law is explored.Secondly,the author constructs the image structure and motif connotation of the disaster film based on the aesthetic image effect.Again,the use of structural semiotics and psychoanalysis principle,construct the myth motif order and postmodern "writing",the prototype image system to further explore the disaster movie,from the smallest element of meaning image,finally,to the social and cultural spirit of aesthetic recursive image and self psychological investment completed according to the aesthetic effect of radiation.In the third chapter,the author starts with the sense of meaning unit,and constructs the meaning of the disaster film and the concept of the concept of the aesthetic sense of shock.Based on the function of reproduction in the multimodal discourse,this paper explores the aesthetic experience of the aesthetic experience of sensory experience and the aesthetic construction of thought.The fourth chapter,the effect of aesthetic emotion cognition as the core,with the interaction theory of multimodal discourse as the basis,using the method of Cognitive Semiotics Theory,contact distance,attitude,modality principle,transformation of study from the perspective of cognitive schema,the art of emotional tension in the recursive model view expression,aesthetic effect of activating plot with emotion and memory and cognition.Fifth,the ideological mechanism as a starting point to explore the cultural theme of our strategy.Dialogue and game is the theme of Chinese film creation facing the global competition and the important position of the author.Going deep into the global cultural context,analyzing the cultural strategy of Hollywood,analyzing the hegemonic "plot" behind the cultural representation,and realizing the transcendence of the local type.With the film theory,film history,film criticism combines "audio-visual art history on the multicultural research ideas,to study the positive position of Hollywood dialectical,form a dynamic open theoretical innovation practice point of creation.