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A Study On Iranian Director Asghar Farhadi

Posted on:2018-01-05Degree:MasterType:Thesis
Country:ChinaCandidate:A Y ChenFull Text:PDF
GTID:2335330515479113Subject:Theater, film and television
Abstract/Summary:PDF Full Text Request
In the context of globalization,the main part of the culture on its own way of nationalization,characterization,and the output of the aboriginality and spread ways,in the process of cultural globalization made remarkable achievements.In the 1990 s,the Iranian film gradually from the east with the words of edge to the center location close to the world,to show the world a totally different Iranian society and the islamic world.And in the process,Iranian director-a new generation of realism,ha,ha made an indelible contribution.Method harty inherited Iran's poetic realism tradition,but the lens from rural to urban,middle-class family life dilemma to refraction Iran's religious and secular society,the contradiction between modern and traditional.And its dramatic narrative mode,both rich in the plot of the conflict and suspense and multiline narrative structure and view,or is not reflect the scene scheduling of drama aesthetics,the theme of the realism and value appeal to bring out the best in each other,makes the realism is full of dramatic tension and colour.Harty films at the same time the article also from the method of the combination of aboriginality and universality to resolve cross-cultural accept the film's success,and as review of ancient civilizations under the system of "China bollywood" construction of enlightenment.This paper mainly divided into three parts: the first chapter aims to sort out,ha,ha,film unique style of realism.The second chapter mainly discusses the aspen law,harty localization of the film and the combination of universal significance.Method of the third chapter analyzes the aspen,hardy is a movie in the text why Iran's national image and national culture will be widely accepted by western countries and the cross-cultural of deconstruction and reconstruction of enlightenment and reference for Chinese film.
Keywords/Search Tags:Iranian film, realism, Asghar Farhadi, cross-cultural accepte
PDF Full Text Request
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