Influence Of Tang-Tubo Cultural Exchange On The Dunhuang Dance In The Ruling Times Of Tubo

Dunhuang dance,as a treasure and an indispensable part in human history and culture as well as Dunhuang art treasury house,has greatly expanded and enriched the Chinese classical dance genre and dance vocabulary,thus occupying a pivotal positon in Chinese classical dance and dance art.As an important element of the art of Dunhuang Grottoes,mural themed by Dunhuang music and dance under the reign of Tubo also carried itself with diversified cultural forms,inheriting and continuing Dunhuang dance art in a logical way.Therefore,on the premise of respecting the law of development of Dunhuang dance,we must review the history and reflect on the future development of Dunhuang dance in its course of inheritance,popularity,development and innovation.In order to probe into the influence of cultural exchanges between Tang and Tubo under the reign of Tubo on Dunhuang dance,this paper,by combining the theoretical points of "the history shall be proved by images",has been divided into five chapters,"Introduction","Basic information of Dunhuang music and dance murals","Historical data research on dancing patterns on the Duanhuang art murals under the reign of Tubo","Influence of Tang-Tubo cultural exchange on the Dunhuang dance in the ruling times of Tubo" and "Reflection and recommendation of the inheritance and development of Dunhuang dance in Tubo times".The study is project to adopt field investigation method,literature data method,comparative analysis and other major research methods,widely collecting and fully obtaining Dunhuang dance-related Images and text materials through in-depth field investigation in Dunhuang district and on the grotto group,with the focus on patterns and body shapes of the dancer in the mural under the rule times of Tubo,forming a relatively complete perceptual knowledge.Besides,by referring to a large number of theory monographs on Dunhuang dance and academic papers and other literature materials,as well as by timely interviewing and consulting experts and scholars on Dunhuang studies and Dunhuang dance,relevant literature and theoretical points of views that can be used to comprehensively,profoundly and accurately illustrate the research here have been preserved,with essence and truth abstracted from the mess and false,so as to direct the theme demonstration of the paper.On top of that,through the horizontal and vertical comparative analysis in a comprehensive and systematical way,based on the stage sorting and genre classification of dancing patterns on the mural and relevant materials(horizontally),and aimed at the features of times and nationality embodied in the comparative analysis research between Dunhuang dance and Chinese classical dance(vertically),the Dunhuang dance elements under the ruling time of Tubo have been excavated,refined and elevated,with the practice and performance charm being expanded in a pluralistic way,conducting a systematic research on the relationship between Dunhuang dance and the society,history,politics and culture.