The Research Of Tibetan Buddhist Art Of "Tao He Min" Area In Ming Dynasty

Through the study of Shimen Temple murals and architectural form,at the same time,further discusses the Shimen Temple surrounding and the entire China's "Taohemin" region of human geography environment and the historical evolution,compared the region's ethnic culture,religion,history and migration,ethnic origin,analysis of the Tibetan,Han,Hui and other nationalities in the region of social groups interactive,Tibetan Buddhism and Chinese Buddhism,Islam and Confucianism,Taoism and so on various ethnic and religious cultural diversity and integration of art,is today China's"Taohemin" got along with various nationalities,caring and harmonious landscape is even more ancient period since the region's national habits and customs,language,religion,culture and arts exchange,draw lessons from each other,the result of the fusion,and its development trend is inevitably in the premise of protecting and inheriting the traditional culture into the unified thinking of the Chinese nation culture system,form a pattern of"pluralism an organic whole" of the Chinese nation culture,in the big family of the Chinese nation"mix togetherand but different","the beauty of its beauty," unity struggle together,common prosperity.