Discussion On The Aesthetic Modernity Of Ontology Language In Ceramic Art Creation

This paper attempts to explore and analyze the problem of ontology language in the creation of fireworks pottery from the perspective of connotation and meaning of "aesthetic modernity".And through the study of modern ceramic art theory,combined with the creation of firewood pottery experience,for the creation of pottery works to provide more space for thinking.In the discussion of the composition of the body language in the creation of pottery,the author comprehensively understands the pottery creation itself from the modern sense of material language,modeling language and decorative language,and hopes to provide diversified reference ideas for the creation and guidance of the theory.When talking about the connotation of "aesthetic modernity" of pottery,this paper expounds the characteristics of "self-discipline","critical","contradiction" and "pluralism" implicit in aesthetic modernity.Language aspects of a profound reflection,try on the basis of the original open new ideas.At the same time,in the creation of firewood pottery,to provide practice can have a certain way to explore ideas.Therefore,on the basis of the full understanding of the theory of "aesthetic modernity" of ceramic art,it can also guide the creation better,which is the dual meaning of theory and practice.But also in its unique ideology under the guidance of a better to improve their own.The creative thinking and aesthetic significance of modern and contemporary pottery works are the inheritance and development of the traditional,but also different from the traditional creative ideas and aesthetic thoughts,in order to put the ceramic art creation in the contemporary context to obtain new development space and constantly try hard.