Research On Qiong Kiln Decorative Techniques In The Application Of Modern Ceramic Art

Qiong kiln is the bashu area of ancient ceramics kiln kiln,most prime period the longest,the widest product diaspora,social influence the biggest folk kiln system.Since the 1930 s,qionglai 10 fangtang site was found,the academia to Qiong kiln has a lot of research.The author thinks that,in the history of Qiong kiln,have to mention is Qiong the adornment design of the kiln culture.Qiong kiln adornment is unique among the whole huaxia adornment style,not only oneself get rapid development,but also affect the surrounding the adornment style of other kiln mouth,such as the academic circles often call Qiong kiln and liling kiln sisters kiln,enough to see its effects.This paper on the basis of studying and inheriting predecessors’ achievements,continue to delve into Qiong kiln decorative design culture.Research mainly from Qiong kiln glaze decoration,body decoration and color decoration.Through further exploration,from form to connotation of Qiong kiln implements decoration design aesthetic value and significance for further understanding and grasp.At the same time,this paper puts forward Qiong kiln implements decoration design have adornment is the highest,which contains the aesthetic culture in western sichuan amorous feelings,freehand brushwork spirit and big park of folk delight.And put forward Qiong kiln decorated in the application of modern ceramic art.The author thinks that Qiong kiln implements design the unique context of bashu culture,aesthetic culture inheritance and because this feature from the folk,Qiong kiln implements the overall design of style presents a kind of natural guileless,vibrant life rich sense of rhythm.Qiong kiln implements decoration design aesthetic symbol is reflected the advocate natural,not stick to one pattern.Overall,Qiong kiln implements design aesthetic culture is a part of our culture,is also a part of Chinese ceramics culture,is an important part of aesthetic culture in ancient China.