Research Of The Yunnan Paper-charms On The Modelling Aesthetic

Yunnan Paper-charms is the folk wood engraving print when Yunnan people used to burn for religious sacrificial,blessing and rid the disaster.It is folk custom products which reflect folk religion,witchcraft belief,and folk culture,is also a unique national characteristics of folk art forms,in its rough and old artistic image,contains the working people's pure and plain emotion and optimistic wisdom of life.For thousands of years,Yunnan Paper-charms art accompanied with the local people live from generation to generation,at the same time,it also witness the growth of the Chinese nation long and splendid traditional folk culture.Its content covers all aspects of the people' s material life and spiritual life,is a precious folk cultural heritage,is also a unique scenery of the Chinese nation culture.Yunnan Paper-charms used to have a glorious history under the influence of local people's religious belief.In today's highly developed modern civilization,the Yunnan Paper-charms art gradually faded,only still popular in some remote areas in Yunnan,the real development situation is not optimistic is beyond doubt,its practicability of the original value is out of step of today's living environment.Then,give the Yunnan Paper-charms art a new life is worthy of our thought.This thesis studies the modeling fun of Yunnan Paper-charms art from the perspective of aesthetics,based on the relevant theory of western aesthetic knowledge to understand the problem that how aesthetic interest performed in Yunnan Paper-charms art from.The thesis has a deep study of the Yunnan Paper-charms art in four chapters.First of all,it has a comprehensive summary of the " Paper-charms ",including its appellation problems and the cultural connotation in it,through trace the history to comb and explore the historical origin,cultural background and material conditions of Yunnan Paper-charms art,and then dug up the cultural ecological environment elements and material condition of how the Yunnan Paper-charms art is produced,which is the materials and processes of Yunnan Paper-charms.Then,the-concept of " fun" in western aesthetics is introduced,and the concrete meaning of"fun" and aesthetic taste is expounded.According to the famous French literary theorist Dana's theory that the three elements of the aesthetic taste is race,environment and era,search the determining factors of the aesthetic taste of Yunnan Paper-charms art modeling.On the basis of it,it highlights the modeling of the aesthetic taste which reflect in the two aspects of the form and artistic expressionFinally,through the study of the first three chapters,this thesis summarizes the inspiration which Yunnan Paper-charms art brings to the contemporary art,and combines the natural conditions,social development and the development of traditional folk art in Yunnan,makes relevant suggestions and prospects to the heritage and development issues about Yunnan Paper-charms art,which reflects the practical significance of this thesis.