The Research Of Liu Shengya's Anti-Japanese War Literature Narrative Art

Liu Shengya is a neglected writer during the time of Anti-Japanese War literature,he was born in Chongqing in 1915,In 1935,he began to move in Beiping,Wuhan,Germany and other places.Rich experiences gave him's literary creation not only serve the war of resistance,but also will eventually extend Angle of view to life,which made his Anti-Japanese War literature has the characteristics of the combination of reality and epic.However,The literary study of his Anti-Japanese War work,is still confined to the narrative contents of research,it is very lack research on the wholeness of his works.This paper attempts to study the narative art of Liu Shengya's Anti-Japanese War literature.paper consists of six parts.In the introduction part it introduces Liu Shengya's literary creation during the Anti-Japanese War,summarizes predecessors' research status of Liu Shengya Anti-Japanese War literature,analysis of the deficiencies.Explain the research method and significance of this thesis.First chapter analysis Liu Shengya Anti-Japanese War literature narrative structure,the structure form of the story.Liu Shengya resistance narrative works present in the structure compose period of frame structure,the structure of the single linear development and extension of double line interlaced structure.The second chapter is on the investigation to the Liu Shengya Anti-Japanese War literature narrative voice.Respectively from the category of the narrative voice and narrative voice multiplicity of two aspects.The third chapter analyzes the narrative perspective of Liu Shengya in literature during Anti-Japanese war.Liu Shengya constructs his theme of creation through the choice of the narrator's perspective and the perspective of the characters,the use of perspective is flow.The fourth chapter discusses Liu Shengya narrative rhythm in the Anti-Japanese War literature.Rhythm is the author describes the process of change in regularity,in Liu Shengya's wartime works,mainly uses the traces,arrangement and acceleration of thescene,the pre arranged above three kinds of rhythm,rhythm of the plot can not only separate events but also for the creation of order of priority,a unified aesthetic atmosphere.Conclusion part summarizes the Liu Shengya narrative art and the forming reason of the Anti-Japanese War literature.Liu Shengya the new-vernacular literature and the dual effects of the Anti-Japanese War literature,his work during the Anti-Japanese War in the formation of the narrative art,on the one hand,it's influenced by the creative thought of literature and art serve for the Anti-Japanese War;on the other hand,it is inspired by humanitarian creative thinking;Finally,it is guided by the realistic writing thought.