The Study Of Female Narrative In Yi Shu’s Romantic Novels

In twentieth Century 90,the Chinese mainland have set off a wave of “Yi shu heat”,until now,there are still many readers obsessed with romance novels. In order to explore the artistic charm of Yi Shu novels,I study her novels mainly from female narrative point of view,the paper tries to study Yi Shu romantic novels in the narrative pattern, narrative voice,narrative perspective and etc.This paper is divided into introduction,body and conclusion part.The introduction part outlines research situation of Yi Shu romance novels,and points out that the analysis of her romance novels from the feminist narrative perspective of artistic value, innovation and research significance. The women of her novels almost burst through from traditional bondage and the plot almost is trapped risks.The first chapter mainly analyzes characters and the plot mode of her romantic novels. We can find that the romance novels have a pattern of writing.The second chapter mainly analyzes the narrative perspective of Yi Shu’s romantic novels. The narrative perspective of her romantic stories were told mainly in the perspective of the first person narration in the third person limited perspective. Yi Shu told the stories in first person mode, let these women express her helpless heart to readers, and thus obtained the approbation of the readers on the aesthetic emotion and compassion. The novels narrated in the third person’s perspective are different from the novels of the third person on the sidelines or all-wise perspective. The novels in the third person narrative perspective, the narrator is not omnipotence, "I" can only insight the main character’s psychological activity, and present it. Yi Shu’s novel adopts in the first person narrative perspective and in the third person, it is a kind of seeking female speech rights. She hoped that through the two different femaleperspective cause readers’ aesthetic empathy.Some of her novels were told in a male perspective. but the male perspective role is to set the image of women.The third chapter mainly analyzes the narrative voice of her novels. The sound of her novels in the first person narration is undoubtedly personal narrative voice, and the sound of her novels in the third person narration is a kind of "author personal narrative voice".In the conclusion, we found the writer has established female narrative discourse in the first three chapters based on the analysis, she tells us a group brave women in the vanity of the metropolis and the writer agree them with sympathy, She wanted to set up kind of emotional and authority, rather than a forcible discourse hegemony.