Analysis The Creation Of The Revolutionary History Theme Of Dance Works From The Perspective Of Contemporary Aesthetic Culture

Aesthetic as the general public an indispensable part of people’s life,especially in focusing on the aspects of art appreciation level,the connection of the art of life and art into daily life also tests the ability of each choreographer,its creation tendency under different forms of aesthetic culture has also led to the different technique and form,but also leads the audience in the aesthetic,this is a very macro and uncertain thesis of the answers.This paper mainly takes the contemporary aesthetic culture as the theoretical basis,mainly in the aesthetic perspective to analysis revolution subject matter works of dance creation,and in my writing about revolutionary history theme works WuDaoShi “YiMeng”and "YiMeng that-bridge" as an example,the two works are all my best work arrangements,and this journey along with creative experience also makes me grow up a lot.From my own experience of creation and the form of the combination of aesthetic culture,which discuss the close relationship between subtle and it constitutes the core of my thesis want ro study.So this paper begins with the first chapter to discuss the concept of contemporary aesthetic culture,followed by the three forms of contemporary aesthetic culture,the final is the three form the creation of dance.In the second chapter,I arrang the process of the creation of the revolutionary history theme of dance works from 1949 to 2015.Then I analysis two kinds of power in this process.In the third chapter,this article focus on analysising about the creation of the revolutionary history theme of dance works,under the contemporary aesthetic culture,how to influence the social dancing I created YiMeng that-bridge-and WuDaoShi YiMeng,as a director of how I mix together past and present,tradition and innovation.