The Research Of Various Shadow Forms In Installation Art

Installation art originated in the West, the eighties of last century popular in China, its unique novel form of beauty is different from traditional art. Among them, the study of light and shadow form language is not very rich, so this article is committed to in-depth study of the installation art form of light and shadow. "Light and Shadow" as a medium of nature used in installation art, for its unique form added a rich and colorful, attracting many artists to explore, more worthy of our in-depth mining and research this paper, in the form of light and shadow in the installation art language as the research object, has carried on the four content.First, based on a review of the history of installation art development process,summarizes the essence of art and is, a simple summary of the development of its origin,theory origin, source, such as visual source process.Second, in the development of installation art in decades, new material, new craft, new technology constantly emerging about the performance of installation art tension provides more space. Lighting art was originally a form of language, also can saying is artistic effect,installation artist will give it into a new form of art media. This section from the artistic features of the light and shadow, form attribute to explore the possibility of light and shadow as a vehicle for installation art.Third, in this paper discusses the law of form, form and dimension, on the basis of w.k.che material and non-material forms through the device to the master of arts appreciation and analysis, try to research and apply the medium to changes brought about by the visual art form, through appreciation some light device works of art to comb, the form as much as possible in order to comprehensively in this paper, the art of light and shadow form.Fourthly, combining the creative idea and production process of "light and shadow form - simple and complicated", this paper focuses on the performance of light and shade form language in practical works. For the first time, the works of the author are based on satisfying the general form of laws, but also conforming to the material form and the non-material form. Secondly, I try to analyze the use of light and shade as a medium for the diversity of the aesthetic field of new possibilities.