Research On Oscar's Performing Arts

Performance is another important element besides narrative in film and television art aesthetics.In the oscar movie arts,oscar image's unique charm attracts and influences the audience all over the world,and one of the charm lies in the performance.Oscar's performing arts have a wealth of practical experience and performance material.However,compared with the narrative arts,performing arts' theory system is very weak,the study of performance theory is relatively backward.Both domestic and foreign scholars on the study of oscar performance have rarely explored the performance strategy and aesthetic mechanism from the perspective of movie aesthetics,and as a result,the deep and unique aesthetic mechanism of performance can't be fully revealed.This article's research perspective aims at exploring the deep and unique aesthetic mechanism of performance from the perspective of movie aesthetics,and it discovers the close relationship between oscar image performance aesthetics and the expression of human nature.In this thesis,the main research object focuses on 88 oscar's best performance of the actors and the corresponding films,in which we consider the oscar-winning actors and the works of the category as an organic,unified art,by conducting systematic examination and review of them and taking the best picture and best performance nomination as auxiliary.The thesis adopts three research methods: empirical,comparative and speculative methods.The basic frame and main content of this study are listed as follows.The first chapter systematically combs the development of oscar's performing arts in nearly a century,and finds the innovation of the oscar's performing arts.The development of the performing arts have a development process of keeping pace with the times,and there is also a growing process of the artists and audience's judgement of the performing arts.In oscar image,it is hard to use the existing symbolic performance,star performance and experience performance to define the performance of most actors,and their performance were not affiliated with any performance,as their performance followed the laws of human nature.Because there is a big proportion of this kind of performance,we single out this performance to study and define it as oscar performance in order to distinct it with other performance paradigm.The second chapter compares the differences between oscar performance and symbolic performance,star performance,and experience performance.By making a vertical and horizontal analysis of them with the help of examples,it sums up the essence of oscar performance,and most importantly,it unearths the unique value of oscar performance.It is obvious that there are defects in star performances.Both the symbolic performance and the experience performance are based on the dramatic art,so they're more appropriate for the drama stage.As the essence and the model of the performance,oscar performance is a performance suitable for the performance of lens mechanism,which essence is a kind of value theory performance with abiding by the artistic reality as the basic aesthetic measure.The third chapter shows the pros and cons of an actor's acting depend on the mastery of acting skills,deeply discussing the skills of oscar performance,summarizing the difference between the skills of oscar performance and the other performance,digging the unique skills of oscar performance.Oscar performance's high pursuit of artistic reality is mainly revealed in three performance categories: action,expression,and word.No matter from the perspective of action,expression,or word,oscar performance can be summed up as being real,and it is the high unification of particularity and universality,which is why it reveals real and common humanity.The fourth chapter concludes there are two paths as to the aesthetic mechanism of oscar performance including the path from the intuitionistic truth to objective truth and the path from the subjective truth to the objective truth.The path from subjective-real performance to objective-real performance has its limits,and the path from intuitionistic-real performance to objective-real performance is one of the most important lines of oscar performance.In general,oscar performance always follows the the law of human nature,respects the audience's aesthetic experience,advances with time,opens up and innovates,attaches great importance to the virtue of performance and it always adheres to the common laws of aesthetics,which is the artistic reality.