The Comparison Study On The Poetic Narrative Of Wong Kar-wai And Iwai Shunji

In the 1920 s and 1930 s,the United States Hollywood has risen and become the center of the world film industry under the background of the globalization.With the development of the Hollywood film kingdom,the classic "causal" narrative model has also become the mainstream of the film narrative mode and influence penetrated into the global film development.Many directors around the world have made great efforts in order to diversify the development of film art,breaking the film narrative fixed framework,including Hongkong director Wong Kar-wai and Japanese director Iwai Shunji's film with its unique poetic style.They are unique in the film market,widely recognized by the public,forming a set of oriental characteristics of the narrative model.Each of their stories,every frame,every piece of music,each words of lines in the film reflects their own unique aesthetic concepts,so that their movies like a poem singing or sad or joy of emotions.This paper mainly analyzes the narrative of poems,draws out the causes of poetic formation from the aspects of story and image creation,and combines the narrative characteristics of these poems into the study of Wong Kar-wai and Iwai Shunjir's film works and analyze the reasons for narrative exist in the movie as well as to discuss the possibility of the poetic narrative of the film.The main content of the introduction part is the main significance and value of this research,the status research on the poetic of domestic and foreign film and the Wong Kar-wai and Iwai Shunji's films.The second part discusses the narrative of poetry and film from the theoretical accept and review the historical origins of the “combine” of poem and movie over the whole film development history.It summarizes the narrative style of the narration of Wang Kar-wai and Iwai Shunji's film.The third part takes twofilm works of the two directors as examples from the topic aspect to explores the commonality of film and poetry,and the narrative culture convey of film narration.It has found the Hongkong in Wong Kar-wai movie and Japanese in Iwai Shunji movie.The fourth part focuses on analyzing creating of the film narrative poetic atmosphere from the film narrative structure and film sound accepts.The fifth part combines the film to analyze the direct representation of the film picture and reveals the important role of the poetic beauty of the film screen on the poetic narrative of the film.