The Inheritance And Development Of Pipa Playing Art

Pipa performance is the traditional music of the Chinese nation culture and arts,has a history of more than 2000 years.This paper mainly from the perspective of artistic aesthetics,the research analyzed the changes and evolution of the art of pipa playing development innovation process,through the pipa playing each big schools formed by combing the analysis and summary the pipa playing art inheriting the art characteristics and the law of development.Papers are analyzed in detail in the 20 th century's most excellent pipa performer,pipa,educator,Mr To-hai liou from pipa playing art tradition,national character,world from three aspects,the pipa playing art to a new height in the development of the heritage,and on playing with creative innovation made extraordinary achievements.Papers to the height of the music aesthetics,through the analysis of the two creation of Mr To-hai liou repertoire "swan",and spring silk worms emphatically study Mr To-hai liou in artistic creation of inheritance and innovation of traditional development.Paper also emphatically studies the pipa playing technique,characteristics of technological innovation and its artistic value.Finally briefly analysed and expounded the new folk music should be inherited in the form of how to protect and promote innovation has experienced the historical accumulation and integration and pass down traditional performing arts,the author attempts through innovation and development of new folk performing arts,not only to solve the problem of pipa playing the innovation of art,also more deeply discusses the fundamental way of contemporary Chinese national music innovation is based on the thoughts and feelings of contemporary social development and innovation of development,the author thought the traditional folk music with the new folk music with mutual penetration,the characteristics of the coexistence.