The Research Of Shanghai Opera Thunderstorm

Shanghai opera is formed in the late Qing Dynasty in Shanghai opera,with a strong era,its many classic repertoire adapted from Chinese and foreign fiction,drama,film and other famous works."Thunderstorm" as one of the classic repertoire of Shanghai opera,since the adaptation of the long time is not bad,the 1959 version is as the Shanghai and Shanghai opera art exchange performance to the people of the stage.Since then,the Shanghai opera "thunderstorm" adaptation of the version as a reference to this version in the history of the development of Shanghai Opera has a more important significance,the author according to the recording with information on the 1959 version of the Shanghai opera "thunderstorm" to organize,and as the main research object.The second chapter mainly explains the selective acceptance and change of the theme of the original poem in the Shanghai opera "thunderstorm".The second chapter mainly explains the selection and change of the theme of the original opera in the Shanghai opera "thunderstorm".In the second chapter,The third chapter mainly discusses the reshaping of the original characters in Shanghai opera "thunderstorm".The fourth chapter mainly explores the change of the style of the original language.Through the above four aspects,the article compares the drama "thunderstorm" with the original drama,and uses the theoretical thoughts such as literary thought and acceptance aesthetics to explain the similarities and differences before and after the adaptation of the drama.Combined with the 2010 edition of the new Shanghai opera "thunderstorm" to be compared,which came to the beginning of the founding of Shanghai opera adaptation of the characteristics: the language of natural popular,singing a high degree of programmatic.Of course,there are many deficiencies in the adaptation: law-abiding,little innovation,the impact of political point of view,ideological themes,the image of a single person consciously.In the thesis,the author discusses the contradiction and fusion between thetraditional opera and the opera,and the local drama is a process of studying the drama,and the performance of the drama is also the localization of the foreign opera.The "virtual" of the opera and the "real" of the drama blend with each other,forming the drama aesthetics with the characteristics of Chinese traditional culture: the actual situation.The author according to the recording with the information on the 1959 version of the Shanghai opera "thunderstorm" script finishing and at the end of the text with the order as an appendix for the same.