Study Of Mark Lee Ping Bin's Art Style Of Film Photography

Photography is always discussed in its history of development and its technical and artistic.Although it has produced photography art,but in the early but has been regarded as a technical means.As an important way of filming and one of the important artistic elements that affect the art of cinema,the importance of photography is self-evident.However,the study of photographic art has not reached an ideal height,often attention to its technical but ignored its most important artistic exploration,which is regrettable results.The film is through the flow of the screen and the audience exchange of art,the photographer as a film creator of the screen,they are the script and director of the concept of the screen as the most important part of the picture,when the director to the photographer to the film image style When asked,the photographer's creation space is always within a limit.This definition from the whole film,is through the photographer's artistic creation,the film screen showing a certain atmosphere of time and space,reflecting the characteristics of the era of the film story,and to fit the narrative tone of the film.From the composition of the composition of the film,each paragraph of the composition of the screen to be harmonious and paragraph of the narrative rhythm;from a single lens processing,each shot of the lens are conducive to deepening the narrative theme and characterization.February 21,2016,the 66 th Berlin International Film Festival,Li Pingbin "Yangtze River map" highly poetic with Chinese ink painting charm of outstanding artistic contribution to the "Silver Bear Award",in addition,Li Ping Guests from the film more than 30 years to participate in the creation of more than 70 films,his works to the industry both inside and outside the unanimous recognition and praise,is the Golden Horse Award for best photographic record holders,won the Golden Horse Award for best photography award 7 times.In the 1970 s,Li Pingbin started from the photographic assistant of the film,which was praised by the director,and then served as the masterpiece of Wang Tong's director,"the horse into the forest" and Hou Xiaoxian's early years of classic autobiography "Childhood" photography division.In the eighties and nineties of the last century,Li Pingbin,in addition to Hou Xiaoxian director continued to work closely,but also transferred to Hong Kong,committed to the development of police bandits,martial arts,comedy and other types of film photography,served as Wang Jiawei,Zhang Zhiliang,Liu Zhenwei and other bright style director of the photographer,this decade of heavy accumulation of Li Pingbin laid a full range of professional standards.He can be a Chinese film master of photography.After 2000,Li Pingbin traveled overseas,and actively participated in cross-border cooperation,including the Japanese director Xing Dingxun,the French director Gilbudu,Vietnamese director Chen Yingxiong,personal and works of international influence growing.At the same time Li Pingbin or bit "film control",his works are close to more than half of the film is used to shoot the film.Love of the film,but also one of the style of Li Pingbin,but also because it also produced Li Pingbin photography art style in several important features.In short,Li Pingbin as with a number of well-known director and get their full trust and appreciation of the photographer,his success is because of what,reflected in where? What are the characteristics of his photography art style,worthy of our study? This is the content of this article to study the description.