Oriental Charm In Paris Painting Comparison Of Painting Styles—Between San Yu And Fujita Tsuguharu

If you want to say that the history of Western art the most unique art school,none other than the Paris painting.Because it refers to not a traditional art school,its from the early 20 th century to the middle,active in Paris Montmartre,Montparnasse artists formed a painting art activities.Painting artists have their own style of pursuit,always adhere to the self,because of a period of time with Paris,the then World Art Center,and was collectively referred to as "Paris painting school." Including Oriental face— San Yu,Fujita Tsuguharu.San Yu 's painting by the Chinese traditional painting and Western modern culture double influence,formed his own unique " San Yu " style.In his picture,we can see the spiritual connotation of traditional literati painting,but also find the symbol and absurdity of western modernism.His creative ideas from their own unique aloof,the pursuit of freedom of temperament..Concise picture,exaggerated form,elegant and fresh color,Chinese calligraphy and ink of the general power and charm and Western modern painting expressive force,the strength of integration as one.Not only grasp the implication of Chinese aesthetics,feel the exaggeration of Western aesthetics.Chinese and Western cultural factors in his picture on the natural blend,long aftertaste.Fujita Tsuguharu.created a fusion of ink into the form of ink flavor,pay attention to emotional intuitive business picture,the pursuit of visual beauty and craftsmanship.Very modern and refined,with a distinct oriental style.His images deliberately evade the striking colors,the slim lines and the flatness of the smoothness combined with the realism of the painting.He did not blindly follow the trend of modern European art at the time,and at the expense of tradition,his screen deliberately avoid the use of bright colors,with a thin line of the Japanese painting and the painting of the realistic combination of painting,only to create a So that the European art world attention of the oriental style.Breaking the "Japanese painting" and "foreign painting" between the gap to "wonderful milk white conquered" reputation of the Paris art scene.Fujita Tsuguharu.has also become a very few Asian artists who can celebrate the history of world art.Although San Yu and Fujita Tsuguharu are from different countries,they have different cultural backgrounds and experiences.But they are from the East and very talented,and live in Paris artists in Paris in different situations,in the face of the conflict between Eastern and Western cultures and their own identity issues of thinking,so that the two of them painting language and form On a lot of resonance.Especially the commonality they produce in painting.How to make Chinese and Western painting can be a good fusion and complementarity,how to change the traditional painting language in the contemporary context,which will be as a Chinese artist needs to think and explore.