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The Disappearance Of The Visual And The Conversion Of Role

Posted on:2018-03-11Degree:MasterType:Thesis
Country:ChinaCandidate:Z R LiFull Text:PDF
GTID:2335330536482824Subject:Art
Abstract/Summary:PDF Full Text Request
Since this 1960 s,the creation of contemporary artists to express their views on the social context and ideology,the concept of art and the idea of social sculpture,art began to challenge the traditional production mode,the art left without purpose,no interest in aesthetics,out of character and social isolation isolated pulse.Change the relationship between the artist and his audience,began thinking about how to intervene through the art community.This paper aims to explore the development process,artistic creation concept,and the relationship between art and the public life of the related issues,in order to reflect the emergence of participatory art content in different from the past Structure of the art form,is closely related to the history and development in concept system and contemporary art;and hoped this article can provide the art workers to thoroughly examine the work itself to achieve both aesthetic value and social care in the ways of creation of the participatory art."Social participation" art practice in Europe and the United States is relatively clear in90 s,two thousand years after the trend.If through history,British art critic and scholar Claire Bishop back in 1920 s the period of modernism,artists for imagination and experimental art and society,such as futurism,da da and so on;sixty generation at the end of 70 s,performing art,occasional Art,fluxus,happening art,"Situationist Int",British,community art or Eastern Europe,Latin America and other related concepts of art practice.In 90 s,Chicago in 1993 the United States "cultural action" performance;the amount of painted morphology published in 1995: a new type of "public art"(Mapping the Terrain: New Genre Public Art)are show the art practice in the basic concept of the difference and prior art practice in 70 s,including "Connection" said the aesthetics of modernism,individualistic art after appearance.This paper first discussed in the contemporary art trend of "artistic intervention community" the concept system and background.Since 1960 s artists and artsorganizations began to invest in it,in the form of participation tend to art for art practice.Art is a community intervention in social and political relations,to replace the traditional the art materials(such as marble,canvas or paint)creation,and manufacturing as its creation to traditional objects;from this point of view,the focus is not on the object in the form of state,but by means of aesthetic experience,ideas and unusual challenges the viewer cognitive system.Such The process of artistic creation also led to different community dialogue,and the audience to participate in the creative process of artists.The second part of this article will put forward to the foreign community in the development of art in the case and the discussion on several different from the traditional art form oriented,including participation in the visual art exit,the author involved in the conversion of identity in art.In these several aspects showing participatory art different from the traditional art form is not complete.The visual art exit about antimatter after turning to a behavior between the remodeling of human relations;and participation in the fuzzy identity between the author and the audience in the art that constructs a way of viewing.In these aspects by showing the participatory art an integrity.Art involved in the life to expand the influence of specific art category,not only brings more artistic liberation and freedom,to connect people,too broke and art Living fences,art production has become the expression of community life.
Keywords/Search Tags:participatory art, authorship, anti art, aesthetic loss
PDF Full Text Request
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