Research On The Integration Of Schema And Material Of Modern Lacquer Painting

Modern lacquer painting has been developed and developed in the 1940 s.As a new pure painting,it is still very young.It is imperfect in language exploration and schema formation.Not to form their own schema,the schema must be from other paintings,"to",-can be said that even the lacquer painting in the establishment of this awareness has not yet set up a schema,not to mention the construction of the.Not to mention in the language of the material,how many artists will be obsessed with the material,but they may have neglected their work in the "schema-to-material conversion" of this important process,and the process of academic content The richness of people is surprised,I also found from my own creation of this surprise.In this paper,I discuss how the painting and the material are merged with their own lacquer works.The two sides of the lacquer before the fusion of the two make my creation into the exploration,"graphics" and "material" itself is two When they meet in lacquer painting,they will inevitably produce collisions.In this collision,they will complement each other,and their blending can be either wholly or partially coincident.Graphic aesthetic and material language of the fit,the graphics are always the soul,and lacquer painting language media is actually important graphics,namely "hidden map";and figure and quality match-Qiu Jin,the two can be described as integration "Heaven" is just right.I have here since the "schema problem",and then also find a solution-"Schema linear expression." When the graphic linearity of the lacquer painting language to meet-lacquer painting language: lacquer-based,including some very rich hard materials,each language has its own characteristics.-the results: because the schema after the establishment of lacquer painting language so get a great self-consciousness,has been rich and rich aesthetic expression.When you speak a single language may not consider the "schema problem",but once into a deeper level of thinking and writing must be made "schema" of the importance.This can be so straightforward: your work does not require a schema,the problem also does not need to put forward,all have rich material,there is a need to map or graphics to integrate,"schema problem" proposition is inevitable proposition.In my paintings,we must put forward the "schema problem" to "schema of linear expression" to integrate my picture effect.